“I don't know what he was playin' ye for,” she said shortly. “Mar has
been dead mor'n a year.”
“But,” I persisted, “is there no grown-up woman here?”
“No.”
“Then who takes care of you and the children?”
“I do.”
“Yourself and your father--eh?”
“Dad ain't here two days running, and then on'y to sleep.”
“And you take the entire charge of the house?”
“Yes, and the log tallies.”
“The log tallies?”
“Yes; keep count and measure the logs that go by the slide.”
It flashed upon me that I had passed the slide or declivity on the
hillside, where logs were slipped down into the valley, and I inferred
that Johnson's business was cutting timber for the mill.
“But you're rather young for all this work,” I suggested.
“I'm goin' on sixteen,” she said gravely.
Indeed, for the matter of that, she might have been any age. Her face,
on which sunburn took the place of complexion, was already hard and set.
But on a nearer view I was struck with the fact that her eyes, which
were not large, were almost indistinguishable from the presence of the
most singular eyelashes I had ever seen. Intensely black, intensely
thick, and even tangled in their profusion, they bristled rather than
fringed her eyelids, obliterating everything but the shining black
pupils beneath, which were like certain lustrous hairy mountain berries.
It was this woodland suggestion that seemed to uncannily connect her
with the locality. I went on playfully:--
“That's not VERY old--but tell me--does your father, or DID your father,
ever speak of you as his 'old woman?'”
She nodded. “Then you thought I was mar?” she said, smiling.
It was such a relief to see her worn face relax its expression of
pathetic gravity--although this operation quite buried her eyes in their
black thickest hedge again--that I continued cheerfully: “It wasn't much
of a mistake, considering all you do for the house and family.”
“Then you didn't tell Billy 'to go and be dead in the ground with mar,'
as he 'lows you did?” she said half suspiciously, yet trembling on the
edge of a smile.
No, I had not, but I admitted that my asking him to go to his mother
might have been open to this dismal construction by a sensitive infant
mind. She seemed mollified, and again turned to go.
“Good-night, Miss--you know your father didn't tell me your real name,”
I said.
“Karline!”
“Good-night, Miss Karline.”
I held out my hand.
She looked at it and then at me through her intricate eyelashes. Then
she struck it aside briskly, but not unkindly, said “Quit foolin', now,”
as she might have said to one of the children, and disappeared through
the inner door. Not knowing whether to be amused or indignant, I
remained silent a moment. Then I took a turn outside in the increasing
darkness, listened to the now hurrying wind over the tree-tops,
re-entered the cabin, closed the door, and went to bed.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account