American fiction -- 19th century; Short stories, American
The small room at the left of the ante-chamber was consecrated to the
roba of an uncle of my grandfather’s, who had been a sugar-planter in
the province of New Orleans, in the reign of Louis XVI. He had also been
a colonel, and so the room was called the Colonel’s room. Here were
numberless mementos of the South: great palm-leaf fans, conch-shells,
and branches of coral, broad-brimmed hats of straw, monstrous white
umbrellas, and, in a corner, a collection of long slender wands, ending
in thick plumes of red and yellow feathers. These, I was informed, the
sugar-planter’s slaves, standing behind his chair, would flourish
about his head, to warn off the importunate winged insects that abound
là-bas. He had died at Paris in 1793, and of nothing more romantic than
a malignant fever, foolish person, when he might so easily have been
guillotined! (It was a matter of permanent regret with me that none of
our family had been guillotined.) But his widow had survived him for
more than forty years, and her my grandmother remembered perfectly.
A fat old Spanish Créole lady, fat and very lazy—oh, but very lazy
indeed. At any rate, she used to demand the queerest services of the
negress who was in constant attendance upon her. “Nanette, Nanette,
tourne tête à moi. Veux”—summon your fortitude—“veux
cracher!” Ah, well, we are told, they made less case of such details
in those robust old times. How would she have fared, poor soul, had she
fallen amongst us squeamish decadents?
It was into the Colonel’s room that I turned to-day. There was a
cupboard in its wall that I had never thoroughly examined. The lower
shelves, indeed, I knew by heart; they held, for the most part, empty
medicine bottles. But the upper ones?
I shut my eyes for a moment, and the flavour of that far-away afternoon
comes back fresher in my memory than yesterday’s. I am perched on a
chair, in the dim light of Constantinople, at Saint-Graal; my nostrils
are full of a musty, ancient smell; I can hear the rain pat-pattering on
the roof, the wind whistling at the window, and, faintly, in a
distant quarter of the house, my cousin Elodie playing her exercises
monotonously on the piano. I am balancing myself on tip-toe, craning
my neck, with only one care, one preoccupation, in the world—to get a
survey of the top shelf of the closet in the Colonel’s room. The next
to the top, and the next below that, I already command; they are vacant
of everything save dust. But the top one is still above my head, and
how to reach it seems a terribly vexed problem, of which, for a little
while, motionless, with bent brows, I am rapt in meditation. And then,
suddenly, I have an inspiration—I see my way.
Public-domain text, read in full here on John Shaqi.
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