English literature -- History and criticism; Literature -- History and criticism
But its completeness and its truth depend upon its relation, in itself
and in the poet’s mind, to the larger world of poetry, the fuller life,
the rounded year of man. Nor was this forward look, this anticipation of
something better and greater yet to come, lacking in the youth of Keats.
It flashes out, again and again, from his letters, those outpourings
of his heart and mind, so full of boyish exuberance and manly vigour,
so rich in revelations of what this marvellous, beautiful, sensitive,
courageous little creature really was,—a great soul in the body of a lad.
It shows itself clearly and calmly in the remarkable preface in which he
criticizes his own “Endymion,” calling it “a feverish attempt, rather
than a deed accomplished.” “It is just,” he writes, “that this youngster
should die away: a sad thought for me, if I had not some hope that while
it is dwindling I may be plotting, and fitting myself for verses fit
to live.” The same fine hope of a sane and manly youth is expressed in
his early verses entitled “Sleep and Poetry.” He has been speaking of
the first joys of his fancy, in the realm of Flora and old Pan: the
merry games and dances with white-handed nymphs: the ardent pursuit of
love, and the satisfied repose in the bosom of a leafy world. Then his
imagination goes on to something better.
“And can I ever bid these joys farewell?
Yes, I must pass them for a nobler life,
Where I may find the agonies, the strife
Of human hearts: for lo! I see afar,
O’ersailing the blue cragginess, a car
And steeds with streamy manes—the charioteer
Looks out upon the winds with glorious fear:
And now the numerous tramplings quiver lightly
Along a huge cloud’s ridge: and now with sprightly
Wheel downward come they into fresher skies,
Tipt round with silver from the sun’s bright eyes.
... And there soon appear
Shapes of delight, of mystery and fear,
Passing along before a dusky space
Made by some mighty oaks: as they would chase
Some ever-fleeting music, on they sweep.
Lo! how they murmur, laugh, and smile, and weep:
Some with upholden hand and mouth severe;
Some with their faces muffled to the ear
Between their arms; some, clear in youthful bloom,
Go glad and smilingly across the gloom;
Some looking back, and some with upward gaze;
Yes, thousands in a thousand different ways
Flit onward—now a lovely wreath of girls
Dancing their sleek hair into tangled curls;
And now broad wings. Most awfully intent
The driver of those steeds is forward bent,
And seems to listen: O that I might know
All that he writes with such a hurrying glow.
The visions all are fled—the car is fled
Into the light of heaven, and in their stead
A sense of real things comes doubly strong,
And, like a muddy stream, would bear along
My soul to nothingness: but I will strive
Against all doubtings, and will keep alive
The thought of that same chariot, and the strange
Journey it went.”
Public-domain text, read in full here on John Shaqi.
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