Comparative Studies in Nursery RhymesEckenstein, Lina
History
Comparative Studies in Nursery Rhymes
Eckenstein, Lina
Comparative literature; Nursery rhymes -- Bibliography; Nursery rhymes -- History and criticism
Robbin and Bobbin, two great belly'd men,
They ate more victuals than three-score men. (1744, p. 25.)
These powers of eating perhaps refer to the first share of these
characters at the feast. They are further dwelt on in the following
nursery rhyme:--
Robin the Bobbin, the big-headed hen [_or_ ben]
He eat more meat than four-score men.
He eat a cow, he eat a calf,
He eat a butcher and a half;
He eat a church, he eat a steeple,
He eat the priest and all the people. (_c._ 1783, p. 43.)
To which some collections add:--
And yet he complained that his belly was not full.
Other pieces dilate on Robin and Richard as lazy in starting, and on
Robin, whose efforts as a huntsman were attended with ill luck:--
Robin and Richard were two pretty men,
They lay in bed till the clock struck ten:
Then up starts Robin, and looks at the sky,
Oh! brother Richard, the sun's very high.
You go before, with the bottle and bag,
And I will come after, on little Jack Nag. (_c._ 1783, p. 42.)
Robin-a-Bobbin bent his bow,
Shot at a woodcock and killed a yowe [ewe];
The yowe cried ba, and he ran away,
And never came back till Midsummer day. (1890, p. 346.)
Halliwell saw a relation between the huntsman of this verse and the bird
robin, since the robin was reckoned to disappear at Christmas and not to
return till Midsummer. As a matter of fact, the robin leaves the abodes
of man and retires into the woodland as soon as the sharp winter frost
is over. However this may be, the presence of the wren and of the robin
was mutually exclusive, as we shall see in the pieces which deal with
the proposed union, the jealousy, and the death of these two birds.
CHAPTER XVI
BIRD SACRIFICE
The custom of slaying the wren is widespread in France also. But the
chants that deal with it dwell, not like ours, on the actual hunt, but
on the sacrificial plucking and dividing up of the bird. Moreover, the
French chants depend for their consistency not on repetition like ours,
but are set in cumulative form. Both in contents and in form they seem
to represent the same idea in a later development.
Public-domain text, read in full here on John Shaqi.
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