New York (N.Y.) -- Fiction; Schools -- Fiction; Teachers -- Fiction; Young women -- Fiction
"Yes, I guess it's so. At first I wasn't very well suited, I'd hoped I'd
be more like Bernhardt. I just adore the thin, mysterious, snaky kind,
don't you? I think those serpentine, willowy, tigerish, squirmy
actresses are perfectly splendid. They're so fascinating, and they can
wear such lovely, queer clothes. I wouldn't have minded being like Mrs.
Pat Campbell, either. There's something awfully taking about that
hollow-chested, loppy sort of woman. But you just can't choose what
you'll look like. I got long enough for anything, but then I just began
to spread out and get fat, and there wasn't any stopping it, so I had
to give up any idea of being the willowy kind. I was awfully
disappointed for a while, and I hardly ate anything for months, trying
to stay thin, but it didn't make a bit of difference. I kept right on
getting fat just the same. After all, it isn't shape that counts so much
if you've got genius. Mary Anderson's pictures look awfully healthy, and
I know lots of folks think Langtry's finer than Bernhardt. Which do you
like best?"
Belinda diplomatically evaded the question. "You hope to go on the
stage?" she asked.
Adelina lapsed into tragedy. "I'd die if I couldn't. I was just born for
the stage. Papa and the boys don't seem to understand. They think I'm
silly, stage-struck, like girls who go on in the chorus and are Amazons
and things. I can't make them see that I'm going to be a star, and that
being a great actress is an entirely different thing from being an
Amazon. Folks up home are all so dreadfully narrow. A genius hardly ever
gets sympathy in her own home, though. I've read lots of lives that
showed that--but you can't keep real genius down."
The retiring bell rang.
Belinda rose with alacrity.
In her own room, with the door closed behind her, she gave way to
unseemly mirth. Then she sallied forth to tell Miss Barnes of the young
Rachel within their gates; but there was a troubled look from between
her twinkling eyes.
"She's silly enough to do something foolish," she thought. "I hope she's
_too_ silly to do it."
The stage-struck Adelina's hopes and ambitions were known throughout the
length and breadth of the school within twenty-four hours. Some of the
girls thought her ridiculous. Some of the romantic set sympathised with
her aims. All found her a source of considerable entertainment and
treated her with good-natured tolerance.
Miss Ryder and the teachers shook their heads disapprovingly, but had no
real cause for complaint.
The Stage-struck One didn't shine in her classes, but the same criticism
might have been made concerning a large assortment of girls who made no
pretensions to dramatic talent.
Public-domain text, read in full here on John Shaqi.
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