I made my first appearance as a regular member of the company as
_Dalila_. The only comment afterwards of the first Kapellmeister, who
directed the performance, was, "Why did you make the eighth note in such
and such a phrase a sixteenth?" I repeat this, in order to give an idea
of the standard of thoroughness with which the musical part of the opera
was prepared. When we were rehearsing _Dalila_ on the stage, I, having
studied the rôle in Paris and being imbued with the spirit of the French
performers, occasionally gave that swing from the hips on a particularly
luscious phrase, using as faithfully as I could remember it de Reszke's
masterly interpretation and flow of line. The _Hofrat_ rapped on his
desk, and half patronizingly, half contemptuously, with a pitying smile,
bade me not indulge in _franzoesische Manniere_--French mannerisms. As
many room rehearsals were held as were necessary before the singers
could sing their parts, giving every note its exact value. A singer
might make mistakes during the performance, but the _Hofrat_ always
mentioned it afterwards. My _Samson_ was, of course, the _Heldentenor_,
and he was a character; a tall, good-looking man, with an immense,
ill-used voice, but a wonderful actor. He had a great success with the
ladies, and his adventures, matrimonial and otherwise, were the
principal source of gossip of the town. His lady-love at this time was a
certain Baroness, whom he afterwards married. Their great amusement was
rushing about the country together in a white automobile filled with
flowers. She used to hang fascinated over the edge of her box, high
above the stage, watching his every look and gesture, her large bust on
the edge of the box. When he left the stage she would sink back in her
chair, really exhausted, and rub her eyes with her hand. He was the only
person who was allowed to disturb the orderly rehearsals. Every one was
afraid of him when he lost his temper and raged up and down the stage,
shouting what he would do to his enemy when he caught him. One day, I
remember, he was furious with the _Intendant_ because birthday honours
had been distributed by the Grand Duke, in the form of decorations, and
he had received none. He made sure that it was the _Intendant's_ spite
against him, but it was in reality, of course, his notorious way of
living that prevented his being decorated. He shouted that he would "buy
himself two cents' worth of soft soap and grease his back with it and
make the _Intendant_ climb up it!" Then that he would get him in the
woods and run his auto over him, and run it back and forth, and back and
forth, until there was nothing left but apple sauce! Finally the
Direction could stand him no longer, great actor as he was, and his
contract was broken on the pretext of his having been absent from the
town without leave. You are supposed not to go further than a certain
stated distance from the theatre without due notification and
permission.
Public-domain text, read in full here on John Shaqi.
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