College teachers -- Fiction; Fantasy fiction; Horror tales; Spouses -- Fiction; Witches -- Fiction
"I haven't been here for ten years," he told the clerk. "I believe
there is a cemetery about five blocks down the street, away from the
Bay?"
The old man's sleepy eyes blinked wide open.
"Bayport Cemetery? Just three blocks, and then a block and a half to
the left. But--" He made a vague questioning noise in his throat.
"Thank you," said Norman.
After a moment's thought, he paid off Alec, who took the money and with
obvious relief kicked his cab into life. Norman walked down the main
street, away from the Bay.
After the first block there were no more stores. In this direction,
Bayport petered out quickly. Most of the houses were dark. And after he
turned left there were no more street lights.
The gates of the cemetery were locked. He felt his way along the
wall, behind the masking shrubbery, trying to make as little noise as
possible, until he found a scrubby tree whose lowest branch could bear
his weight. He got his hands on the top of the wall, scrambled up, and
cautiously let himself down on the other side.
Behind the wall it was very dark. There was a rustling sound, as if he
had disturbed some small animal. More by feeling than sight, he located
a headstone. It was a thin one, worn, mossy toward the base, and tilted
at an angle. Probably from the middle of the last century. He dug into
the earth with his hand, and filled an envelope he took from his pocket.
He got back over the wall, making what seemed a great deal of noise in
the shrubbery. But the street was empty as ever.
On his way back to the hotel he looked up at the sky, located the Pole
Star, and calculated the orientation of his room.
As he crossed the lobby, he felt the curious eyes of the old clerk
boring into him.
His room was in darkness. Chill salt air was pouring through the open
window. He locked the door, shut the window, pulled down the blind, and
switched on the light--a glaring overhead which revealed the room in
all its dingy severity. A cradle phone struck the sole modern note.
He took the envelope out of his pocket and weighed it in his hand. His
lips curled in a peculiarly bitter smile. Then he reread the scrap of
paper that had fluttered from Tansy's hand.
Add a small quantity of graveyard dirt, and wrap all in a piece of
flannel, wrapping widdershins. Tell it to stop me. Tell it to bring
me to you.
Graveyard dirt. That was what he had found in Tansy's dressing table.
It had been the beginning of all this. Now he was fetching it himself.
He looked at his watch. Eleven twenty.
He cleared the small table and set it in the center of the room,
jabbing in his penknife to mark the edge facing east. "Widdershins"
meant "against the sun"--from west to east.
He placed the necessary ingredients on the table, cutting a short strip
of flannel from the hem of his bathrobe, and fitted together the four
sections of Tansy's note. The distasteful, bitter smile did not leave
his lips.
Taken together, the significant portions of the notes read:
Public-domain text, read in full here on John Shaqi.
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