Conrad in Quest of His Youth: An Extravagance of TemperamentMerrick, Leonard
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Conrad in Quest of His Youth: An Extravagance of Temperament
Merrick, Leonard
Theater -- Great Britain -- Fiction
"Yes. After dinner I'll go on the terrace, Con, and I'll sit there
alone, wondering what you're doing, and thinking of--just now.
And--well, perhaps I'll say a little prayer for you. I _must_ go now.
Say 'good-bye' to me."
"I can't," he gasped, "I can't."
"Con, I must."
"Give me something," he stammered; "give me something you've got on."
She broke off a handful of the flowers they had crushed, and, stooping,
took his strained face between her palms, and kissed him twice--once on
the lips, and, by impulse, on the brow. Then she opened the door
cautiously. She smiled back at him, and stole away into the passage.
And in the loneliness she left behind her, the boy lay kissing her
lilies, and sobbing with his great despair.
CHAPTER X
Across twenty years a man made an obeisance to a woman for risking what
she had risked that she might comfort a boy's pain. Conrad got up from
the club chair and crossed over to the bookcase. He pulled out the
Post Office Directory--and it sprawled open on the top shelf. Would he
find the name under "A?" ... "Grice Ewart Adaile, M.P., 62 Norfolk
Street, Park Lane." And she? Was she alive? could she be there, so
close to him as that?
He mourned to think how different she must be to-day. The woman had
changed, and the boy had changed, and though he didn't know it, the
town had changed the most. The ubiquitous rush and whir of electric
trams, the ceaseless clangour of their bells beating through the brain,
had turned peace into a pandemonium. Rouen had acquired all the noise
of New York without any of its gaiety. Telegraph wires and telephone
wires spanned the tops of the churches, and a mesh-work of iron ropes
obscured the sky.
He strolled to Norfolk Street the next afternoon. There was a half
hope in his mind of finding a carriage at the door waiting to take the
lady for her drive. If Mrs. Adaile came out--Oh, if Mrs. Adaile came
out he would be well repaid; it would be exciting to recognise her,
although she wouldn't recognise him!
But she did not come out. The door was shut fast, and no familiar face
happened to gaze pensively over the window boxes. He was disappointed.
In the evening he went to another theatre. The hero of the comedy was
supposed to be a man of his own age, and talked about himself as if he
were a centenarian. He said he was thirty-seven and had "lived his
life," and he called the heroine "Child." His hair was silvered at the
temples, and he depressed Conrad exceedingly.
The situation of Norfolk Street was so convenient, however, that Conrad
took to passing through it rather often. And though he was old enough
to know better, he certainly looked young enough to be the hero's son.
One day he found the windows of No. 62 blank behind shutters. So the
family had left town! He sauntered on, and hesitated, and went back.
Here was an opportunity to ascertain what he wanted to know. He rang
the bell, and asked a solemn functionary when Mrs. Adaile was expected
home.
Public-domain text, read in full here on John Shaqi.
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