Constantino Brumidi, Michelangelo of the United States CapitolMurdock, Myrtle Cheney
Philosophy
Constantino Brumidi, Michelangelo of the United States Capitol
Murdock, Myrtle Cheney
Brumidi, Constantino, 1805-1880
Immediately I attached added significance to two letters about Brumidi
that I had recently found in the Capitol Brumidi file. One of these, a
letter written in Rome, on June 14, 1879, by Brumidi’s daughter, Elena,
evidently to the Architect of the Capitol, reads as follows:
“I hope, if I mistake not, that you have a memory of my name. When
I came to Washington in 1871 to embrace my poor father, I had the
pleasure to be introduced by him to you. I beg your pardon if I
take now the liberty to disturb you, but I am sure you will do me
the good office I ask because I know your kindness.
“It is today a month since I have not received any news from my
father, and it is the first time since 27 years he resided in the
United States. Unhappily I know that he is very sick since some
time and confined in the bed, as you surely know. But, though in
that state he has always written regularly to me. I am dreadfully
afraid for this long silence; I fear some great misfortune. I beg
you to inform me about his health, whatever it may be. At the same
time I am desirous of learning something about the real situation
of his private interest, and you understand the reason of this
inquiry.
“I am obliged to apply to you, sir, because you are a friend of my
poor father, and I rely upon your kindness for him and also for his
daughter, beyond your situation in the Capitol. I pray you to keep
the secret about this my letter.
“I beg to forgive my troubling you so much. I wait your answer
truly with a great trepidation and I send to you in advance my
sincere thanks.”
ELENA BRUMIDI
This letter from Elena, written about six months before her father’s
death expressing fear at her father’s silence and concern about his
“private interest” is practically all we know about Elena, the daughter
Brumidi left behind in Italy. We do know, however, that she received her
half of the $500 paid by Congress to the Brumidi heirs, as this payment
is recorded in an old Department of Interior account book now in the
National Archives. This Archives’ record contains an itemized statement
of the actual expenditure of the $700 asked for in the Senate Bill
introduced four days after Brumidi’s death. Even the $200 set aside for
funeral expenses for the artist is accounted for by the Department of
Interior, item by item.
The old artist fell from the frieze scaffolding on October 1, 1879. Six
weeks later a petition, written in a strange hand but signed by Brumidi,
was sent to the Congress of the United States. It gives Brumidi’s
account of his accident and formally asks that he be put on the regular
payroll of the Capitol employees. The petition is preserved in the
Capitol’s Brumidi file and is given here in complete form:
Washington, D. C., November 17, 1879
_To the Senate and House of Representatives_:
Public-domain text, read in full here on John Shaqi.
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