Constantinople, painted by Warwick Goble, described by Alexander Van Millingen — John Shaqi
Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
Close to Tchalady Kapou, and at the water’s edge, are the ungainly ruins
of the residence of Justinian the Great and Theodora, before their
accession to the throne. Here began the romance of their lives. In
course of time additional buildings were put up at this point, and the
group thus formed became the Marine Residence attached to the Great
Palace. Here was the little harbour at the service of the Court, with
marble steps descending to the water from a quay paved with marble, and
adorned with many marble figures of lions, bears, bulls, and ostriches.
Here the Emperor embarked or disembarked when moving in his imperial
barge from one part of the city to another by water. One of the pieces
of statuary, representing a lion attacking a bull, bestowed upon this
Marine Residence the name Bucoleon (The Bull and Lion), under which
designation it is frequently mentioned in Byzantine history. There was
enacted the tragedy of the assassination of the noble Nicephorus Phocas
by John Zimisces, with the connivance of the Empress Theophano, the
victim’s wife; a typical instance of the intrigues and crimes that often
dishonoured the palace of the Byzantine emperors. The story has
recently been told by the brilliant pen of Mr. Frederic Harrison, and
therefore must not be repeated. But the visitor to the spot can recall
the event with startling vividness, so well preserved is the stage on
which the tragedy was acted. Directly opposite, on the Asiatic shore, is
Chalcedon, where the conspirators joined Zimisces to proceed to the
scene of their cruel work. The Sea of Marmora over which, on that fatal
night, a snowstorm spread a veil to hide the boat which bore the
conspirators across the sleeping waters, comes up to the very base of
the palace. From one of the palace windows overhanging the sea, a
basket, attached to a rope, was let down again and again to the boat,
and again and again drawn up, with one conspirator in it at a
time--Zimisces being the last--until the whole band stood within the
imperial abode. And somewhere in the vaulted building we still find at
the water’s edge, and whose ruins seem haunted by evil ghosts, was the
chamber in which the doomed emperor lay slumbering on the floor, and was
rudely awakened to know all the bitterness of ingratitude and the
sharpness of a cruel death. Geography and topography are certainly the
eyes of history.
[Illustration: INTERIOR OF THE MOSQUE OF SULTAN AHMED I.
This mosque is beautifully decorated with blue and green tiles; on the
right is the minber (pulpit) built of marble intricately carved and
delicately tinted; behind it is one of the four great marble columns
that support the roof.]
Public-domain text, read in full here on John Shaqi.
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