Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
of the capital, so strong a rival, that, as Gibbon observes, “The Roman
Empire might soon have sunk into a province of Genoa, if the Republic
had not been checked by the ruin of her freedom and naval power.” These
foreign communities were allowed to be self-governing, so far as the
Byzantine Government was concerned. They had their own courts of
justice, and their own places of worship, even the Saracens being
allowed to possess a mosque. A certain number of houses, a certain
extent of territory, and particular piers at which their ships could
moor for discharging or receiving cargo, were assigned to them, and, as
a rule, they paid lower duties than native merchants did. Sometimes, it
seems they were liable to render military service, as though feudal
vassals, but to all intents and purposes they enjoyed under the
Byzantine emperors very much the position which foreigners in Turkey
now occupy, in virtue of the Capitulations granted by Sultans to
European residents. The original copies of several of the commercial
treaties between the Empire and the Italian States are preserved in the
archives of Venice, Genoa, and other cities of Italy, and furnish an
interesting chapter in the history of diplomacy and commerce.
[Illustration: THE BRIDGE FROM GALATA
The sailing boats used in these waters are constructed so that the mast
and sail can be lowered in a few seconds to shoot the arches of the
bridge.]
The most picturesque portion of the Golden Horn is that which lies
between the two bridges. Along the Galata shore, a large flotilla of
gaunt native barges, with short masts and long oblique yards, is
generally moored, waiting to be employed in the transhipment of the
cargoes that leave or reach the port. Here also a mass of native
shipping is laid up for the winter, after the fashion of the early days
of navigation. It is a dense forest of bare masts and poles involved in
a network of cordage, with the steep hill, upon which the stone houses
of Galata and Pera are built, as a rocky background. After a night of
rain, the scene changes. Then from every yard and mast, heavy, damp
sails are spread in the warm, misty, morning air, and you seem to look
upon a flock of great sea-birds opening their wings to bask in the
sunshine. Along the opposite shore, surmounted by the domes and
minarets of the Mosque of Sultan Suleiman, the bank is fringed with
native craft, laden with fruit or oil from the islands of the Ægean Sea,
or bringing planks and beams to the timber-yards at Odoun Kapan from the
lands beside the Danube. Timber has been stored at that point ever since
the days of Justinian the Great, if not ever since the city was founded.
Caiques flit to and fro, as if shuttles weaving the sundered parts of
the city together. While companies of fearless sea-gulls spread grey
wings and white breasts over the blue waters, and dance around in every
graceful form that motion can assume. It is the portion of the harbour
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account