Constantinople: The Story of the Old Capital of the EmpireHutton, William Holden
History
Constantinople: The Story of the Old Capital of the Empire
Hutton, William Holden
Istanbul (Turkey)
Basil the Macedonian, had had a romantic life. As a boy he had
wandered penniless to Constantinople, and slept on the steps of the
church of S. Diomed. The kindness shown to the wayfarer by the abbat
of the monastery attached to the church was rewarded, when Basil
became Emperor, by the erection of a new church and monastery, some
pillars of which still lie neglected upon the beach of the Sea of
Marmora, not far from Yedi Koulé station. His immense strength,
personal beauty, and acute intelligence, soon made their way, and he
completed his ascent to power it is said by marrying a mistress of
Michael III.
As sovereign and the founder of a dynasty, Basil the Macedonian was
amongst the greatest of the Emperors. He was a successful warrior, an
able administrator of finance, a great builder of churches, and a
repairer of the walls. But his greatest glory is that of restorer of
the ancient Roman law. He returned, as has been shown by Professor
Bury,[17] to the principles of Justinian, in the Basilica, which were
the most important reconstruction of Roman law in the Middle Ages, and
the last it received.
We must hurry over these years, in which Constantinople itself
underwent but few changes. Leo VI., the "philosopher," who has been
more happily called a pedant, left no trace on the history of the
city, save his name as a repairer on one of the towers of the
sea-walls by Koum Kapou. His son, Constantine VII., called
Porphyrogenitus, because he was "born in the purple," (_i.e._ not when
his father was Emperor, but because of the porphyry lined chamber
reserved for his mother at his birth), was at first under the charge
of his uncle Alexander and then of his mother Zoe, and lastly of a
successful general Romanus, who surrounded himself with a galaxy of
imperial sons, allowing Constantine VII. also still to retain the
title of Emperor.
"The studious temper and retirement of Constantine," says Gibbon,
"disarmed the jealousy of power; his books and music, his pen and his
pencil, were a constant source of amusement; and, if he could improve
a scanty allowance by the sale of his pictures, if their price was not
enhanced by the name of the artist, he was endowed with a personal
talent which few princes could employ in the hour of adversity."
Constantine was much more than a student. A plot against Romanus and
the other Cæsars enabled him to resume power, which he held with
credit for seventeen years. As a writer he is one of the most
important of all the Byzantine historians.
Public-domain text, read in full here on John Shaqi.
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