Corea or Cho-sen: The Land of the Morning CalmLandor, Arnold Henry Savage
History
Corea or Cho-sen: The Land of the Morning Calm
Landor, Arnold Henry Savage
Korea -- Description and travel
cold, squashy sort of boneless hand, gave you the impression that you had
grasped a toad in your hand. And his face! Did you ever see a weaker,
more depraved and inhuman head than that which was screwed on his
shoulders? His cadaverous complexion was marked with the results of
small-pox, which were certainly no improvement to his looks; his eyes had
been set in his head anyhow, and each seemed to move of its own accord;
his mouth seemed simply to hang like a rag, showing his teeth and his
tongue.
His fellow was somewhat better, for he was of the thin kind of that type,
and though possessing the effeminate, weak characteristics of his friend,
one could at least see that he was built on a skeleton, like the
generality of people! But the features of these eunuchs were as nothing
to their voices. The latter were squeaky like those of girls of five; and
more especially when the fat man spoke, it almost seemed as if the thread
of a voice came from underground, so imperceptible was the sound that he
could produce after he had spoken a few minutes. Having profited by the
notions of my Corean philosopher of a little while ago, I simply went
into screams of merriment at the misfortune of these poor devils, but
really it was difficult to help it.
Preceded by these eunuchs, let us now go over the tumble-down ruins of
the palace. On the top of the small hill stands the main building of red
painted wood and turned up roof _à la Chinoise_, and inside this, in the
audience hall, can yet be seen the remains of the wooden throne raised up
in the centre, with screens on the sides. There is nothing artistic about
it, no richness, and nothing beautiful, and with the exception of the
ceiling, that must have been pretty at one time with native patterns and
yellow, red and green ornaments, there is absolutely nothing else worth
noticing. Outside, the three parallel flights of steps leading up to the
audience hall have a curious feature. It is forbidden to any one but the
King to go up on the middle steps, and he of course is invariably
carried; for which reason, in the middle part of the centre staircase a
carved stone table is laid over the steps in such a way that no one can
tread on them except quite at the sides where the men who carry the King
have to walk.
The houses where the King and royal family used to live with their
household have now been nearly all destroyed by the weather and damp, and
many of the roofs have fallen in. They were very simple, only one story
high, and little better than the habitations of the better classes of
people in Cho-sen. Coming out again of the inner enclosure, one finds
stables and other houses scattered here and there in the _compound_,[3]
and lower down we come to a big drain of masonry. But let me tell you a
funny story.
Public-domain text, read in full here on John Shaqi.
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