Corinne; or, ItalyStaël, Madame de (Anne-Louise-Germaine)
History
Corinne; or, Italy
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
"The whole church is embellished by antique marbles, who know more than
we do of vanished centuries. There is the statue of Jupiter converted
into St. Peter, by the glory which has been set upon its head. The
general expression of the place perfectly characterizes a mixture of
obscure dogmas and sumptuous ceremonies; a mine of sad ideas, but
such as may be soothingly applied; severe doctrines, capable of mild
interpretation: Christian theology and Pagan images; in fact, the most
admirable union of all the majestic splendors which man can give to
his worship of the Divinity. Tombs decked by the arts can scarcely
represent death as a formidable enemy: we do not, indeed, like the
ancients, carve sports and dances on the sarcophagus: but thought is
diverted from the bier by works that tell of immortality even from the
altar of death. Thus animated, we feel not that freezing silence which
constantly watches over a northern sepulchre."--"It is doubtless the
purpose with us," said Oswald, "to surround death with appropriate
gloom: ere we were enlightened by Christianity, such was our mythologic
bias. Ossian called around the tomb funereal chants, such as here you
would fain forget. I know not if I should wish that your fair sky may
so far change my mood."
"Yet think not," said Corinne, "that we are either fickle or frivolous;
we have too little vanity: indolence may yield our lives some intervals
of oblivion, but they can neither sate nor wither up the heart;
unfortunately we are often scared from this repose by passions more
terrible than those of habitually active minds." They were now at the
door. "One more glance!" said Nevil. "See how insignificant is man in
the presence of devotion, while we shrink even before its material
emblem: behold what duration man can give to his achievements, while
his own date is so brief that he soon survives but in his fame.
This temple is an image of infinitude; there are no bounds for the
sentiments to which it gives birth; the hosts of past and future years
it suggests for speculation. On leaving it we seem quitting a world of
heavenly thought for one of common interests; exchanging religion and
eternity for the trivial pursuits of time."
Corinne pointed out the bas-reliefs, from Ovid's Metamorphoses, on
the doors. "We shame not," she said, "in the pagan trophies which
art has hallowed. The wonders of genius always awaken holy feelings
in the soul, and we pay homage to Christianity in tribute of all the
best works that other faiths have inspired." Oswald smiled at this
explanation. "Believe me, my Lord," continued Corinne, "there is much
sincerity among people of lively fancy. To-morrow, if you like, I will
take you to the Capitol, and I trust I have many such days in store for
you; but--when they are over--must you depart?" She checked herself,
fearing that she had said too much. "No, Corinne," cried Oswald, "I
cannot renounce this gleam of bliss, which my guardian angel seems to
shower on me from above."
Public-domain text, read in full here on John Shaqi.
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