Corinne; or, ItalyStaël, Madame de (Anne-Louise-Germaine)
History
Corinne; or, Italy
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
remarked that the Gothic churches of England and Germany have a far
more gloomy character than this. Northern Catholicism has in it
something mystic; ours speaks to the imagination by external objects.
Michael Angelo, on beholding this dome from the Pantheon, exclaimed, 'I
have built it in the air!'--indeed, St. Peter's is as a temple based
upon a church; its interior weds the ancient and modern faiths in the
mind; I frequently wander hither to regain the composure my spirit
sometimes loses. The sight of such a building is like a ceaseless,
changeless melody, here awaiting to console all who seek it; and, among
our national claims to glory, let me rank the courage, patience, and
disinterestedness of the chiefs of our church, who have, for so many
years, devoted such treasures to the completion of an edifice which its
founders could not expect to enjoy.[4] It is rendering a service to the
moral public, bestowing on a nation a monument emblematic of such noble
and generous desires."--"Yes," replied Oswald, "here art is grand,
and genius inventive; but how is the real dignity of man sustained?
How weak are the generality of Italian governments, yet how do they
enslave."--"Other nations," interrupted Corinne, "have borne the yoke,
like ourselves, and without like power to conceive a better fate,
'Servi siam si, ma servi ognor frementi.'
'We are slaves, indeed, but forever chafing beneath our bonds,' said
Alfieri, the boldest of our modern writers. With such soul for the fine
arts, may not our character one day equal our genius? But look at these
statues on the tombs, these mosaics--laborious and faithful copies from
the _chefs-d'œuvres_ of our great masters. I never examine St. Peter's
in detail, because I am grieved to find that its multiplied adornments
somewhat impair the beauty of the whole. Yet well may the best works of
human hands seem superfluous here. This is a world of itself; a refuge
from both heat and cold; it hath a season of its own, perennial spring,
which the atmosphere without can never affect. A subterranean church
is built beneath; the popes, and many foreign princes, are buried
there--Christine, who abdicated her realm; the Stuarts, whose dynasty
was overthrown. Rome, so long an asylum for the exile, is she not
herself dethroned? Her aspect consoles sovereigns despoiled like her.
Yes, cities fall, whole empires disappear, and man becomes unworthy
of his name. Stand here, Nevil! near the altar, beneath the centre of
the dome, you perceive, through these iron gratings, the church of the
dead, which lies beneath our feet, and, on raising your eyes, they
can scarcely pierce to the summit of this arch; do you not feel as
if a huge abyss was opening over your head? Everything which extends
beyond a certain proportion must cause that limited creature, man,
uncontrollable dismay. What we know is as inexplicable as the unknown;
we have so reconciled ourselves to habitual darkness, that any new
mystery alarms and confounds us.
Public-domain text, read in full here on John Shaqi.
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