Corinne; or, ItalyStaël, Madame de (Anne-Louise-Germaine)
History
Corinne; or, Italy
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
Corinne observed to Nevil that there were but few vestiges left of the
republic, or of the regal day which preceded it. The aqueducts and
subterranean canals are the only luxuries remaining, while of aught
more useful we have but a few tombs and brick temples. Not till after
the fall of Sicily did the Romans adopt the use of marble; but it is
enough to survey the spots on which great actions have been performed;
we experience that indefinite emotion to which we may attribute the
pious zeal of pilgrims. Celebrated countries of all kinds, even when
despoiled of their great men and great works, exert a power over the
imagination. That which would once have attracted the eye exists no
more; but the charm of memory still survives.
The Forum now retains no trace of that famed tribunal whence the
people were ruled by the force of eloquence. There still exist three
pillars of a temple to Jupiter Tonans, raised by Augustus, because a
thunderbolt had fallen near him there, without injury. There is, too,
the triumphal arch erected by the Senate to requite the exploits of
Septimus Severus. The names of his two sons, Caracalla and Geta, were
inscribed on its front; but as Caracalla assassinated his brother, his
name was erased; some marks of the letters are yet visible. Farther off
is a temple to Faustina, a monument of the weakness of Marcus Aurelius.
A temple to Venus, which, in the republican era, was consecrated to
Pallas, and, at a little distance, the relics of another, dedicated
to the sun and moon, by the emperor Adrian, who was so jealous of the
Greek architect Apollodorus, that he put him to death for censuring
its proportion. On the other side are seen the remains of buildings
devoted to higher and purer aims. The columns of one believed to be
that of Jupiter Stator, forbidding the Romans ever to fly before their
enemies--the last pillar of the temple to Jupiter Custos, placed, it
is said, near the gulf into which Curtius threw himself--and some
belonging either to the Temple of Concord or to that of Victory.
Perhaps this resistless people confounded the two ideas, believing
that they could only attain true peace by subduing the universe. At
the extremity of Mount Palatinus stands an arch celebrating Titus's
conquest at Jerusalem. It is asserted that no Jews will ever pass
beneath it; and the little path they take to avoid it is pointed out.
We will hope, for the credit of the Jews, that this anecdote is true;
such enduring recollections well become the long-suffering. Not far
from hence is the arch of Constantine, embellished by some bas-reliefs,
taken from the Forum, in the time of Trajan, by the Christians, who
resolved thus to deck the monument of the Founder of Peace. The arts,
at this period, were already on the wane, and thefts from the past
deified new achievements.
Public-domain text, read in full here on John Shaqi.
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