Corinne; Or, Italy. Volume 1 (of 2)Staël, Madame de (Anne-Louise-Germaine)
History
Corinne; Or, Italy. Volume 1 (of 2)
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
"But madam," said Oswald at last, who till then had kept silence without
having for a moment ceased to behold Corinne, "to which of your poetical
talents do you yourself give the preference? To the work of inflection,
or of momentary inspiration?" "My lord," answered Corinne, with a look
that expressed the highest interest and the most delicate sentiment of
respectful consideration, "it is you that I would wish to make the judge
of that; but if you ask me to examine my own thoughts upon this subject,
I would say that improvisation is to me as an animated conversation. I
do not confine myself to any particular subject, I yield entirely to the
impression produced on me by the attention of my hearers, and it is to
my friends, in this instance, that I owe the greatest part of my talent.
Sometimes the impassioned interest with which I am inspired by a
conversation in which we have spoken of some great and noble question
that relates to the moral existence of man, his destiny, his end, his
duties and his affections; sometimes this interest elevates me above my
strength, makes me discover in nature, in my own heart, bold truths,
expressions full of life, that solitary reflection would not have given
birth to. I then believe myself acted upon by a supernatural enthusiasm,
and feel that what is speaking within me is greater than myself. Often I
quit the rhythm of poetry to express my thoughts in prose; sometimes I
quote the finest verses of the different languages I am acquainted with.
These divine verses, with which my soul is penetrated, have become my
own. Sometimes also I finish upon my lyre by chords, by simple and
national airs, the sentiments and thoughts which have escaped me in
speaking. In a word, I feel myself a poet, not only when a happy choice
of rhymes and harmonious syllables, or a happy combination of images
dazzles my auditors, but when my soul is elevated to the highest degree
and looks down with contempt upon every thing that is selfish and base:
in short, when a noble action appears most easy to me, it is then that
my poetry is in its greatest perfection. I am a poet when I admire, when
I despise, when I hate, not from personal feeling, not on my own
account, but for the dignity of human nature and the glory of the
world."
Corinne then perceiving how the conversation had carried her away,
blushed a little, and turning towards Lord Nelville said to him, "you
see, my lord, I cannot touch upon any of those subjects that affect me
without experiencing that sort of shock which is the source of ideal
beauty in the arts, of religion in solitary minds, of generosity in
heroes, and of disinterestedness among men. Pardon me, my lord, although
such a woman resemble but little those whom your nation approves." "Who
could resemble you?" replied Lord Nelville; "can we make laws for one
who is without her like?"
Public-domain text, read in full here on John Shaqi.
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