Country life -- England -- Fiction; Short stories, English; Working class -- England -- Fiction
The moonlight fell into that lane the same night as the clock of the old
Abbey struck its nine wavering strokes, fell so full upon it that the
shadow of the pines lay hard and black upon its whiteness, and that the
figure of a man sauntering leisurely along between its low stone walls
was conspicuous as in broad daylight. He had come up from the camp in
the marsh-land below, where the fires of those “hoppers” who were not
villagers burned brightly in the still night; he left the oast-houses on
his left, and before he came to the farm on the right he vaulted the low
paling and made off across the down to the windmill. He was not an
inhabitant or he would have known that that was not the shortest way
from the plain to his destination. And there—on the slopes under the
great spreading arms of the mill, with the dykes wandering rippleless
across the plain below, like winding streams of molten metal in the
moonlight—this man waited awhile patiently. He was not used to waiting,
and the scene before him engrossed him but little, so that when the
ashes of his pipe had burned themselves out and the moon was riding high
in the heavens, he grew weary of the tryst, and slowly but surely
incensed against the girl who had broken it. He was no beauty—many even
said that he was an ugly chap—but he knew that he always got his way
with women, and not infrequently even with men, and he never troubled
himself to wonder why, and would have been very much surprised if he had
been told that it was because folk were in a certain sense afraid of
him—afraid not of his strength, but of his selfishness—of the
selfishness that always managed to take that for which it had no
intention of paying.
It was the first time he remembered being baulked of what he had
intended to get, and his fury grew as the minutes sped past. He ground
out a fierce oath from between the white teeth that were the most
conspicuous thing in his face, and turned back across the down. The
“public” lay but a little way down the road to the village. He could
soon forget ’Melia Shaw, and she should repent bitterly of her folly.
Was ’Melia repenting already, and was it really of her folly that she
was repenting—of the folly of her wild and misguided craving? Or was she
mourning the broken tryst that it was now too late to keep?
Who can tell? Anyway, a duty had fallen across her path, so plain and
strong that she saw nothing else for the moment; for on the bed in the
corner of the little cottage on the brow of the hill Widow Shaw lay
motionless, speechless—struck down in the midst of her work—the soul
only alive still, and eager as it looked forth, piteous and beseeching,
from the weary grey eyes.
“It be them shirts she be frettin’ over,” said the neighbour, Martha
Jones, standing at the foot of the bed as ’Melia rushed in, white and
scared. “Ye didn’t ought to have left her to do it all. But it be jest
like what ye be always after.”
Public-domain text, read in full here on John Shaqi.
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