France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
This conversation took place a few days before that night of first
performance of _The Devil’s Betrothed_, when the whole orchestra
noticed how ill Pons was looking. But by that time all the circle of
dinner-givers who were used to seeing Pons’ face at their tables, and
to send him on errands, had begun to ask each other for news of him, and
uneasiness increased when it was reported by some who had seen him that
he was always in his place at the theatre. Pons had been very careful to
avoid his old acquaintances whenever he met them in the streets; but one
day it so fell out that he met Count Popinot, the ex-cabinet minister,
face to face in the bric-a-brac dealer’s shop in the new Boulevard
Beaumarchais. The dealer was none other than that Monistrol of whom Pons
had spoken to the Presidente, one of the famous and audacious vendors
whose cunning enthusiasm leads them to set more and more value daily on
their wares; for curiosities, they tell you, are growing so scarce that
they are hardly to be found at all nowadays.
“Ah, my dear Pons, how comes it that we never see you now? We miss
you very much, and Mme. Popinot does not know what to think of your
desertion.”
“M. le Comte,” said the good man, “I was made to feel in the house of a
relative that at my age one is not wanted in the world. I have never had
much consideration shown me, but at any rate I had not been insulted.
I have never asked anything of any man,” he broke out with an artist’s
pride. “I have often made myself useful in return for hospitality. But
I have made a mistake, it seems; I am indefinitely beholden to those who
honor me by allowing me to sit at table with them; my friends, and
my relatives.... Well and good; I have sent in my resignation as
smellfeast. At home I find daily something which no other house has
offered me--a real friend.”
The old artist’s power had not failed him; with tone and gesture he put
such bitterness into the words, that the peer of France was struck by
them. He drew Pons aside.
“Come, now, my old friend, what is it? What has hurt you? Could you not
tell me in confidence? You will permit me to say that at my house surely
you have always met with consideration--”
“You are the one exception,” said the artist. “And besides, you are a
great lord and a statesman, you have so many things to think about. That
would excuse anything, if there were need for it.”
The diplomatic skill that Popinot had acquired in the management of men
and affairs was brought to bear upon Pons, till at length the story of
his misfortunes in the President’s house was drawn from him.
Popinot took up the victim’s cause so warmly that he told the story
to Mme. Popinot as soon as he went home, and that excellent and
noble-natured woman spoke to the Presidente on the subject at the first
opportunity. As Popinot himself likewise said a word or two to the
President, there was a general explanation in the family of Camusot de
Marville.
Public-domain text, read in full here on John Shaqi.
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