Cowper, William, 1731-1800; Poets, English -- 18th century -- Biography
Psychologically they belong to the time
when in ideas and language, the moral was just disengaging itself from
the physical. In the wail of Andromache for instance, _adinon epos_,
which Pope improves into "sadly dear," and Cowper, with better taste at
all events, renders "precious," is really semi-physical, and scarcely
capable of exact translation. It belongs to an unreproducible past,
like the fierce joy which, in the same wail, bursts from the savage
woman in the midst of her desolation at the thought of the numbers whom
her husband's hands had slain. Cowper had studied the Homeric poems
thoroughly in his youth, he knew them so well that he was able to
translate them, not very incorrectly with only the help of a Clavis; he
understood their peculiar qualities as well as it was possible for a
reader without the historic sense to do; he had compared Pope's
translation carefully with the original, and had decisively noted the
defects which make it not a version of Homer, but a periwigged epic of
the Augustan age. In his own translation he avoids Pope's faults, and
he preserves at least the dignity of the original, while his command of
language could never fail him, nor could he ever lack the guidance of
good taste. But we well know where he will be at his best. We turn at
once to such passages as the description of Calypso's Isle,
Alighting on Pieria, down he (Hermes) stooped.
To Ocean, and the billows lightly skimmed
In form a sea-mew, such as in the bays
Tremendous of the barren deep her food
Seeking, dips oft in brine her ample wing.
In such disguise o'er many a wave he rode,
But reaching, now, that isle remote, forsook
The azure deep, and at the spacious grove
Where dwelt the amber-tressed nymph arrived
Found her within. A fire on all the hearth
Blazed sprightly, and, afar diffused, the scent
Of smooth-split cedar and of cypress-wood
Odorous, burning cheered the happy isle.
She, busied at the loom and plying fast
Her golden shuttle, with melodious voice
Sat chanting there; a grove on either side,
Alder and poplar, and the redolent branch
Wide-spread of cypress, skirted dark the cave
Where many a bird of broadest pinion built
Secure her nest, the owl, the kite, and daw,
Long-tongued frequenters of the sandy shores.
A garden vine luxuriant on all sides
Mantled the spacious cavern, cluster-hung
Profuse; four fountains of serenest lymph,
Their sinuous course pursuing side by side,
Strayed, all around, and everywhere appeared
Meadows of softest verdure purpled o'er
With violets; it was a scene to fill
A God from heaven with wonder and delight.
Public-domain text, read in full here on John Shaqi.
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