Cremorne and the later London gardensWroth, Warwick William
History
Cremorne and the later London gardens
Wroth, Warwick William
London (England) -- History -- 1800-1950; Parks -- England -- London
Balloon ascents, which had such a strange fascination for the frequenters
of Vauxhall in the thirties and forties, and which were always an
attraction at Cremorne, do not seem to have been a feature of the Surrey
Gardens. An ascent by Henry Coxwell, on September 7, 1854, was of some
importance, as the balloonist for the first time gave a public exhibition
of his methods of balloon-signalling in war. His apparatus was attached
to the car, and the signals were supposed to be addressed to the
beleaguered fortress of Sebastopol. Some pigeons were also taken up, and
sent forth from the balloon with messages.
Two curiosities of ballooning are connected with these gardens. In May,
1837, Mr. and Mrs. Graham took up in a parachute attached to their
balloon a monkey named Signor Jacopo, attired in a scarlet coat and
feathers. The monkey descended in his parachute on Walworth Common, and,
being duly labelled with ‘two pounds reward,’ was promptly returned to
Mr. Cross. In 1838 the appearance of the ‘Montgolfier’ balloon {88a}
excited no ordinary interest. It was a monstrous machine made of lawn
varnished, and was said to be ‘of the height of the York Column, with a
circumference nearly half that of the dome of St. Paul’s.’ It was
announced to ascend on May 24, and people began to assemble in the
grounds at noon. By seven o’clock there were nearly 5,000 spectators,
and, behind a huge tarpaulin, the balloon was supposed to be in process
of inflation. The balloon was attached to a platform in the middle of
the lake, and its peculiarity was that it had to be inflated by chopped
straw burnt in a brazier under the orifice of the bag. The size of the
furnace had been miscalculated, and after the balloon had twice been set
on fire, the ‘intrepid aeronaut’ decided not to ascend. Some of the
spectators considered that, at any rate, the balloon could be punished,
and ‘a well-directed volley of stones’ soon left the monster prostrate on
the lake. An attempt was made to drag it on shore and tear it in pieces,
but at this moment the cord broke. Some of the rowdier spirits now
sought out the proprietor, hoping to duck him in one of his own ponds.
And when this failed, they attacked the glass panes of the lion’s
conservatory. But suddenly the police appeared and Vesuvius burst forth
in all its fury, and when the fireworks were over the visitors quietly
dispersed.
From 1839 to 1844 orchestral concerts, without vocalists, were one of the
principal attractions. A good band, under C. Godfrey, performed music of
the promenade-concert type—operatic overtures, dance-music by Strauss and
Musard, with an occasional ‘classical’ first part, when Handel and
Beethoven had their turn.
Public-domain text, read in full here on John Shaqi.
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