Crestlands: A Centennial Story of Cane RidgeBayne, Mary Addams
History
Crestlands: A Centennial Story of Cane Ridge
Bayne, Mary Addams
Kentucky -- History -- 19th century -- Fiction
"Do you think she favors him?" asked Dudley, anxiously, a momentary
fierce pang of dislike or distrust or envy shivering through him as he
looked at the debonair young lawyer.
"At any rate," laughed Abby, "there can be no doubt of his intentions.
As for her," she continued, looking earnestly at Abner, "I have in mind
a far more suitable lover, who will, I hope, some day win that heart of
gold."
"Who is this fortunate one destined to 'win that heart of gold'?"
Dudley carelessly inquired, feeling but little interest just then in
any topic save that which concerned himself and the girl at his side.
"Do I know him?"
"Only slightly, I believe," Miss Patterson replied, looking down with a
demure smile; "not nearly so well as I hope you will some day."
Abner flushed warmly, and his pulse leaped high with hope; for he
interpreted the words to refer to a closer relationship between Abby
and himself. "Of course," he thought jubilantly, "I shall become well
acquainted with Betsy's prospective husband, when Abby shall have
accepted me."
"Whoever he may be," said Abner, heartily, "since he has your approval,
I wish him Godspeed with Betty; for," he added in a lower key, and
frowning slightly, as he looked at Mr. Drane, "I can not, for the life
of me, cordially like or trust yonder fine gentleman. But what about
this other lover for Betty?"
"At present," Abby answered with a meaning which Abner was far from
construing correctly, "he thinks his affections are centered in a far
less worthy object; and he is blind to his heart's best interests."
"Let us hope that this blind Romeo may soon be restored to sight,"
laughed Abner; "or else, that dear little Juliet yonder will be carried
off by some clearer-visioned wooer. But see, Mr. Rogers has at last
restrung that fiddle and tuned it to his notion; so now for our dance!"
No stately minuet or mincing cotillion was the order of the evening.
Instead, the "countre dance," the "gauntlet," the "four-handed
reel"--old-time, energetic country dancing--shook the rafters overhead,
and made the puncheon floor vibrate. Such jigging, such "cutting the
pigeon wing," such swinging corners! No languid, lazy gliding, but
hearty motion--up and down, round and round, faster and faster, as the
twinkling bow sawed across the strings to the tune of "Coon Dog," "Roxy
Ann," "Billy Batters," or "Niggah in the Cawnfield."
Rousing music it was--"enough," as Rube and Tom declared, "to mek even
a one-legged fellah git up an' hump hisse'f."
Public-domain text, read in full here on John Shaqi.
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