Critical, Historical, and Miscellaneous Essays; Vol. 6: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
History
Critical, Historical, and Miscellaneous Essays; Vol. 6: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
In the mean time, every mail from America brought alarming tidings.
The crop which Grenville had sown his successors had now to reap. The
colonies were in a state bordering on rebellion. The stamps were burned.
The revenue officers were tarred and feathered. All traffic between
the discontented provinces and the mother country was interrupted.
The Exchange of London was in dismay. Half the firms of Bristol and
Liverpool were threatened with bankruptcy. In Leeds, Manchester,
Nottingham, it was said that three artisans out of every ten had been
turned adrift. Civil war seemed to be at hand; and it could not be
doubted that, if once the British nation were divided against itself,
France and Spain would soon take part in the quarrel.
Three courses were open to the ministers. The first was to enforce
the Stamp Act by the sword. This was the course on which the King, and
Grenville, whom the King hated beyond all living men, were alike bent.
The natures of both were arbitrary and stubborn. {77}They resembled each
other so much that they could never be friends; but they resembled
each other also so much that they saw almost all important practical
questions in the same point of view. Neither of them would bear to be
governed by the other; but they were perfectly agreed as to the best way
of governing the people.
Another course was that which Pitt recommended. He held that the British
Parliament was not constitutionally competent to pass a law for taxing
the colonies. He therefore considered the Stamp Act as a nullity, as
a document of no more validity than Charles’s writ of shipmoney, or
James’s proclamation dispensing with the penal laws. This doctrine seems
to us, we must own, to be altogether untenable.
Public-domain text, read in full here on John Shaqi.
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