'This craven would throw himself into fire or flood to-day to
save a comrade's life; but he would blow his comrade's brains
out to-morrow at the word of command of a non-commissioned
officer. He is not base: he is frightened. His courage
disappears before a watch-word: his boldness shrinks and
vanishes under a regimental order. What cows him is the
apprehension of punishment, the fear of the men set above him.
Fear is the keystone of the ark of the temple of Janus. The
army is a laundry where they throw the consciences of men into
a tub of soap-suds, and where the characters of men are wrung
and twisted like wet linen, and are placed, shapeless, under
the wooden beater of a brutalising discipline. It is only by
means of fear that the military system has been able to
establish itself. It is only by such fear that it maintains its
position. It is obliged to affect the imagination by terror, as
it must extinguish the soul and sense of nations to prevent
each from seeing farther than the stupid limit of a frontier.
It is obliged to surround itself with a mysterious ceremony,
with a religious pomp in which horror is united to
magnificence; in which the trumpet-blast joins in the
death-shrieks; in which one can see confused together the
blood-stained robe of glory, the plume of generals, the
handcuffs of gendarmes, the marshal's baton, and the dozen
balls of the execution-volley, the golden palms of triumph and
the shattered bones of the dead. It must present this
spectacle to the crowds which stare and tremble before it as
they stand open-mouthed before a charlatan quack doctor at a
fair, whose tinsel and feathers attract them, but from whom
they shrink alarmed as soon as they see a forceps or a lancet
glitter ominously in his hand. It must do this in order that
the people, always in ecstasy before the marvellous, which it
does not attempt to analyse, shall be seized before it with awe
and admiration: even as a savage who prostrates himself in
terror and respect before the shooting-iron which he does not
understand, but which he knows possesses the power to strike
him to the earth.'
Many will protest against this figure as an insult to the general
public, but like many other insults which carry an intolerable sting in
them, it may claim that it is merited, and does not overpass the truth.
Darien writes with that force which can, indeed, only come from the
intimate persuasion that what it tells mankind is true, and should be
told.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account