Crying for the Light; Or, Fifty Years Ago. Vol. 1 [of 3]Ritchie, J. Ewing (James Ewing)
General
Crying for the Light; Or, Fifty Years Ago. Vol. 1 [of 3]
Ritchie, J. Ewing (James Ewing)
England -- Social conditions -- 19th century -- Fiction
Outside were the wicked, for whom there was no mercy—nothing but a
fearful looking for of judgment and fiery indignation of the wrath of
God. They looked for empty benches in chapel, for it was only the few
that could be saved. If a young person wanted to join the church, the
deacons were alarmed and surprised. It was almost a breach of
conventional etiquette. Hence the unattractive character of their church
life, the bitterness of their profession, the unloveliness of their
spirit, the feebleness and failure of their efforts. It was a sin in
their eyes to make religion palatable to the worldly. Rarely did the
sons of these good men follow in their fathers’ steps, too many of them
fell into evil courses, and those of them who did become church members
were by no means the salt of the earth. Wentworth, as was to be
expected, with his open, manly nature, disliked not a little the spirit
of the people—their petty quarrels, their miserable ignorance, their
attachment to the letter, their forgetfulness of the spirit of the
Gospel.
At Bethesda, as the meeting-house was called, there had been a venerable
and godly man in the pulpit for nearly fifty years. Never had the grace
of Christian humility been more strikingly displayed than by him. He had
ever been thankful for small mercies—for the leg of pork, the ton of
coals, the load of wood, the old clothes for his children, the new hat
for himself—the casual gifts of sundry of his flock who were not quite so
stingy as the rest. The wear and tear of a long life had taken all the
fight out of him. Even the parson of the parish held him to be a
harmless man, and was sorry to note how the race of such godly men was
gradually becoming extinct, as Dissent claimed not kindly patronage, not
condescending toleration, but civil and religious equality. A wonderful
art had that old man for making things pleasant all round. He was truly
all things to all men. The young people rather looked down on him, but
he did not mind that. To his deacons he was always respectful, and never
did he offend in any way their wives. Indeed, they had been known to
take his part when some stray guest, some pert young miss from London
town, had endeavoured to make fun of his old battered hat, his rusty
black clothes, his patched-up shoes, his grotesque figure, his ancient
air, his monotonous delivery, his high doctrine. But the fact was, few
young persons did go to meeting, and, as the old people died off, the
display of empty benches and empty pews was a sorry spectacle.
CHAPTER VII.
THE CHARTISTS.
Public-domain text, read in full here on John Shaqi.
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