Culture; Great Britain -- Social conditions -- 19th century
which Greece and Greek art suggest the admirable ideals of
perfection,--a serenity which comes from having made order among
ideas and harmonised them; whereas the serenity of aristocracies, at
least the peculiar serenity of aristocracies of Teutonic origin,
appears to come from their never having had any ideas to trouble
them. And so, in a time of expansion like the present, a time for
ideas, one gets, perhaps, in regarding an aristocracy, even more than
the idea of serenity, the idea of futility and sterility. One has
often wondered whether upon the whole [71] earth there is anything so
unintelligent, so unapt to perceive how the world is really going, as
an ordinary young Englishman of our upper class. Ideas he has not,
and neither has he that seriousness of our middle-class, which is, as
I have often said, the great strength of this class, and may become
its salvation. Why, a man may hear a young Dives of the aristocratic
class, when the whim takes him to sing the praises of wealth and
material comfort, sing them with a cynicism from which the conscience
of the veriest Philistine of our industrial middle-class would recoil
in affright. And when, with the natural sympathy of aristocracies
for firm dealing with the multitude, and his uneasiness at our feeble
dealing with it at home, an unvarnished young Englishman of our
aristocratic class applauds the absolute rulers on the Continent, he
in general manages completely to miss the grounds of reason and
intelligence which alone can give any colour of justification, any
possibility of existence, to those rulers, and applauds them on
grounds which it would make their own hair stand on end to listen to.
Public-domain text, read in full here on John Shaqi.
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