Curiosities of Music: A Collection of Facts not generally known, regarding the Music of Ancient and Savage NationsElson, Louis Charles
History
Curiosities of Music: A Collection of Facts not generally known, regarding the Music of Ancient and Savage Nations
Elson, Louis Charles
Music -- History and criticism
The earliest songs of Rome were in praise of Romulus, and told the story
of the twin brothers, and the divine origin of the city. They were sung
by choruses of boys. Similar songs were sung during meals by the elders,
with an accompaniment of flutes; these latter songs being especially
directed to the young men and inciting them to be worthy of the deeds of
their ancestors.[61]
Under the rule of the Emperors, all these worthy compositions went to
decay, and were replaced by a much more degrading school of music. At no
time, however, was music considered a necessary part of the education of
Roman youth.
There existed in the later days of ancient Rome, some music schools, but
the study was far less universally pursued, than in Greece, at the same
epoch. The musical course, has been given by Quintilian, as follows,—
Theoretical
1st
Arithmetic
Physics
2nd
Harmony
Rhythm
Metrics
Practical
Composition
Rhythm
Melody
Poetry
Execution
Playing Instruments
Singing
Dramatic Action
Which makes a rather formidable array, even to modern eyes.
Among the Roman musical instruments, the flute was the most popular, and
essentially national. We have already stated, that it was used in the
worship of their two chief deities; it was in secular use to a yet
greater extent.
This flute (Tibia) was hooped with brass bands, and had an immense
resonance. It was used by both sexes, but in public, and on most
religious occasions, was played by men.
The frequency with which it was used, made the art of playing it, a most
remunerative one, and the flute-players soon formed themselves into a
guild, or protective society. This guild had many privileges accorded to
it, and existed for a period of some centuries. The “Guild of Dionysian
Artists” was a society of later date, and was a Musical Conservatory,
Academy, and Agency all in one. It flourished greatly under the
patronage of various Roman Emperors, and for a long time supplied
singers and actors to the Roman world.
Valerius Maximus[62] has given an anecdote which shows how powerful, and
exacting the Guild of flute-players could afford to be.
Public-domain text, read in full here on John Shaqi.
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