He instituted games in his own honor, entitled the _Neronia_, which were celebrated in imitation of the Greek sacred games, every fifth year; at these games he had introduced contests of flute and organ-players; he was too impatient to wait until the allotted interval should have expired, but ordered that the games should be celebrated in advance of their accustomed time, and placed his name on the list of musical competitors;[81] the Senate sought to avert such a disgrace, by offering to decree the victory to him, without requiring him to compete, but Nero answered, that he stood in no need of favor or protection; that he depended entirely upon himself and upon his own merits; that he would fairly enter the lists, and that the decision should come from the judges.[82] When his name was called, he came on in his regular turn, attended by a suite of high military officials, one of whom bore his harp. After taking his place he announced that he would sing the story of Niobe; this he did, and kept it up for hours, but at the conclusion he (suddenly changing from singer to emperor) deferred the awards of the judges for one year, as this afforded him an opportunity to appear again in that time. The people gave on this occasion immense applause, but whether they were most pleased by the music, or by the novelty of the whole affair, is doubtful. But Nero could not wait even the exceptionally short time which he had set, and appeared at numerous private shows, which were given from time to time by private individuals of wealth and station. For these performances he was glad to be offered compensation, not from any avaricious motive, but because it stamped him as a thorough and professional artist; of course many courtiers took advantage of this foible and were very glad to pay him a princely _honorarium_. He was offered on one occasion 1,000,000 sesterces for one appearance; this sum being equivalent to $37,500 puts the enormous salaries of the modern prima donna to the blush. He sometimes sang for two or three days in the same place, only pausing occasionally to take refreshments and recuperate, and seldom was any song of his less than a day in length. This in itself might have been an easily-avoided bore under ordinary circumstances, but he prevented the possibility of a decreasing audience, by posting sentinels at the doors, and forbidding all egress. We can judge of the terrible dullness of these occasions by the fact that some spectators, at times, jumped from the windows, at the risk of their limbs, while others feigned death and were carried out for burial.[83]