As Satan in the proverb builds invariably a chapel hard by the house of
prayer, so does the demon of burlesque as surely erect his hovel next door
to the palace of the legitimate tragedian. He spoils by his absurd
architecture every neighborhood he enters; he even cuts off the views from
the Castle of Elsinore, and disfigures the approaches to the royal tombs
of the ancient Danish kings. John Poole's celebrated travesty of _Hamlet_,
one of the earliest of its kind, was first published in London in 1811.
George Holland, afterwards so popular upon the American stage for many
years, presented Poole's play on the occasion of his first benefit in this
country, March 22, 1828, appearing himself as the First Grave-digger and
as Ophelia. This was about the beginning of what, for want of a better
term, may be styled "legitimate burlesque" in the United States. It
inspired our managers to import, and our native authors to write,
travesties upon everything in the standard drama which was serious and
ought to have been respected; and it led to burlesques of _Antony and
Cleopatra_, _Douglas_, _Macbeth_, _Othello_, _Romeo and Juliet_,
_Manfred_, _The Tempest_, _Valentine and Orson_, _Richard the Third_, _The
Hunchback_, and many more; and between the years 1839, when William
Mitchell opened the Olympic, and 1859, when William E. Burton made his
last bow to the New York public, was laid out and built between Chambers
Street and the site of Brougham's Lyceum, on Broadway, corner of Broome
Street, that metropolis of burlesque upon the ruins of which the dramatic
antiquary, whose name is Palmy Days, now loves to sit and ponder.
The titles of its half-forgotten streets and buildings, collected at
random from its old directories, then known as the bills of the play, will
recall pleasant memories and excite gentle wonder. There were, among
others, _A Lad in a Wonderful Lamp_, _The Bohea Man's Girl_, _Fried Shots_
[_Freischuetz_], _Her Nanny_, _Lucy Did Sham Her Moor_, and _Lucy Did Lamm
Her Moor_, _Man Fred_, _Cinder Nelly_, _Wench Spy_, _Spook Wood_, _Buy It
Dear_, _'Tis Made of Cashmere_ [_Bayadere; or, The Maid of Cashmere_],
_The Cat's in the Larder, or, The Maid with the Parasol_ [_La Gazza Ladra;
or, The Maiden of Paillaisseau_], _The Humpback_, _Mrs. Normer_, and
_Richard Number Three_.
[Illustration: MARK SMITH AS MRS. NORMER.]
Public-domain text, read in full here on John Shaqi.
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