German mythologists, I suppose, consider the myth to represent the manifestation of some natural phenomena, and the individuals of the story to be impersonifications of natural forces. Most primeval stories were thus constructed, and their origin is traceable enough. In Thorn-rose, for instance, who can fail to see the earth goddess represented by the sleeping beauty in her long winter slumber, only returning to life when kissed by the golden-haired sun-god Phœbus or Baldur? But the Tell myth has not its signification thus painted on the surface; and those who suppose Gessler or Harald to be the power of evil and darkness,--the bold archer to be the storm-cloud with his arrow of lightning and his iris bow, bent against the sun, which is resting like a coin or a golden apple on the edge of the horizon, are over-straining their theories, and exacting too much from our credulity. In these pages and elsewhere I have shown how some of the ancient myths related by the whole Aryan family of nations are reducible to allegorical explanations of certain well-known natural phenomena; but I must protest against the manner in which our German friends fasten rapaciously upon every atom of history, sacred and profane, and demonstrate all heroes to represent the sun; all villains to be the demons of night or winter; all sticks and spears and arrows to be the lightning; all cows and sheep and dragons and swans to be clouds. In a work on the superstition of Werewolves, I have entered into this subject with some fulness, and am quite prepared to admit the premises upon which mythologists construct their theories; at the same time I am not disposed to run to the extravagant lengths reached by some of the most enthusiastic German scholars. A wholesome warning to these gentlemen was given some years ago by an ingenious French ecclesiastic, who wrote the following argument to prove that Napoleon Bonaparte was a mythological character. Archbishop Whately's "Historic Doubts" was grounded on a totally different line of argument; I subjoin the other, as a curiosity and as a caution. Napoleon is, says the writer, an impersonification of the sun. 1. Between the name Napoleon and Apollo, or Apoleon, the god of the sun, there is but a trifling difference; indeed, the seeming difference is lessened, if we take the spelling of his name from the column of the Place Vendôme, where it stands Néapoleó. But this syllable _Ne_ prefixed to the name of the sun-god is of importance; like the rest of the name it is of Greek origin, and is νη or ναι, a particle of affirmation, as though indicating Napoleon as the very true Apollo, or sun.