United States -- Social life and customs -- 20th century -- Fiction; Women college students -- Fiction
The days of convalescence that followed were long, with somber
colouring. She missed her music; Grant did not call up again; the days
had dreadful emptinesses that called out for Grant . . . or for her
music. Sarah was almost unbearable to live with. Before, the
incompatibility of the two had not been so noticeable, when Joy had been
out or busy with her music most of the day; in the evenings, if they
were together, there were always men around to distract their attention.
But now Joy’s enforced stay in the house, threw them together a little
more often; just that little more that is too much. Sarah made no bones
of the fact that she nourished deep rancour against Joy for her
accident, which she considered “all Joy’s fault, anyway.” As a result of
the accident, Packy presumably would not put in an appearance at the
apartment again; thus ran Sarah’s grievance, which she poured upon Joy
instead of sympathy. It did not seem as if Sarah cherished a genuine
affection for any human being, man or woman; and the more one knew of
her, the more horrified one became at the hard, glassy surface which
appeared to be impenetrable.
But there was Jerry who, an untiring nurse and a companion who never
failed in interest, stayed constantly with Joy, turning down all
invitations with an iron hand. The uneasiness that had always been
there, moulded into form by Packy and Grant, was glazed over for a time.
All Joy’s knowledge of and regard for Jerry spoke more coherently than
unsubstantiated inference.
The two weeks set by the doctor had not quite passed when, one
afternoon, Joy tired of lying in bed. She felt perfectly well; there was
no reason why she shouldn’t get up and walk as far as the living-room.
She did not admit to herself that the cellarette was her real objective;
but it had been a long time since she had taken a prescription. Sarah
was out on one of her eternal tea dates; Jerry had vanished somewhere.
She slipped into her little blue crepe kimono and pattered down the
hallway, exultant in the power to walk so much and so healthily.
She swung around the door of the living-room and in before she saw that
someone was already there—Jerry, talking to Jim Dalton. They were both
standing at the door, so that she almost rushed into them, then stood
still in surprise.
Girls in fiction or plays who are surprised in negligée are always
“distractingly lovely” in silks or satins, with hair becomingly flowing.
But real girls in negligée, unless they know they are going to be
inspected, are quite a different matter. Joy’s hair was strained back in
tight braids from a face which, without rouge, was as thinly white as
skim-milk. The ribbons of her night gown had had their colour laundered
out of them; her kimono was—well, it was a kimono, not a negligée, nor
lingerie, nor a tea gown. All this, and more, her thoughts touched upon
in the first still moment.
Public-domain text, read in full here on John Shaqi.
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