D : adding “his” turns this
line from something deragatory (“treats them all like children”, which seems
out of character) into something that matches #42, where the sage becomes an
“elder teacher” (literally, godfather)
Cross-references
100 families : #5, #17
one who is not virtuous :
#27, #62, #81
serve the world : #13, #39
baby/infant/child : #10,
#20, #28, #55
Chapter Fifty
出 生
入 死
生 之
徒 十 有
三
死 之
徒 十 有
三
人 之
生 動 之
死 地
亦 十
有 三
(•)夫 何 故 •
以 其
生 生 之
厚 •
蓋 聞
善 攝 生
者
(陵) 行
不 遇 兕
虎
入 軍
不 被 甲
兵
兕 無
所 投 其
角
虎 無
所 措 其
爪
兵 無
所 容 其
刃
(•)夫 何 故 •
以 其 無 死 地
Between coming out into
life and entering death,
Followers of life are 3 in
10.
Followers of death are 3 in
10.
People whose lives are merely
moving them towards the
place of death
Are also 3 in 10.
Now : what is the reason?
Because they live life for
its substance.
But I have heard that he
who is skilled at taking in life
Can travel the mountains
and does not meet rhino or tiger,
Can enter a battle not
wearing armor or weapons.
The rhino has no place to
thrust its horns,
The tiger has no place to
use its claws,
The weapon has no place to
allow its blade.
Now : what is the reason?
Because for him there is no
place of death.
♦Between coming
out into life and entering death,
♦FollowersA
of life are 3 in 10B.
[10 has 3]
♦Followers of
death are 3 in 10.
[10 has 3]
People whose lives are [merely] moving
them towards the
place of deathC
[their]
Are also 3 in 10.
[10 has 3]
Now : what is the reason?
Because they live life for its substanceD.
♦But I have heard
that he who is skilled at taking inE life
Can travel the mountains
and does not meet rhino or tiger,
♦Can enter a battle
not wearing armor or weapons.
[army,military]
♦The rhino has
no place to thrust its horns,
[send,put in]
The tiger has no
place to use its claws,
[employ]
♦The weapon
has no place to allow its blade.
Now : what is the reason?
Because for him there is no place of death.
Notes
A : “follower” as in disciple
or one who agrees with a particular way of looking at things
Public-domain text, read in full here on John Shaqi.
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