Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
The room in which they were sitting was one of the most private
apartments of the Palace. It had been painted in the reign of Gaius
with frescoes graceful and brilliant, but such as would now be
regarded as proofs of an utterly depraved taste. As he glanced at
the works of art with which the chamber was decorated, Otho thought,
not without complacency, of the day when the prediction made to him
by an astrologer should be fulfilled, and he too would be Emperor of
Rome. He highly approved of frescoes such as these, though even Ovid
and Propertius had complained of their corrupting tendency.
Otho was now nearly twenty-three years old, and was a characteristic
product of imperial civilisation. His face was smooth, for he had
artificially prevented the growth of a beard. To hide his baldness,
which he regarded as the most cruel wrong of the unjust gods, he wore
a wig, so natural and close-fitting as scarcely to be recognisable,
and this was arranged in front in the fashion which he set, and which
Nero followed. Four rows of symmetrical curls half hid the narrow
forehead. Those curls had cost his barber two hours’ labour that
morning, and they were dyed with a Batavian pomade into the blonde
colour which was the most admired. In figure Otho was small; his legs
were bowed, and his feet ill-shaped, but his large eyes and beautiful
mouth gave him a sweet and engaging, though effeminate, expression.
Indeed, effeminacy was his main characteristic, and there was a touch
of effeminacy even in the much belauded suicide to which his destiny
was leading him. When he was a boy, his father was so disgusted by
his ways that he flogged him like the lowest of his slaves. He was
one of those creatures of perfumed baths, delicate languor, soft
manners, and disordered appetites, who, in that age, so often took
refuge from a depraved life in a voluntary death.[12] He was entirely
impecunious, and was loaded with debts--a circumstance which he did
not regard as any obstacle to a life of boundless extravagance. In
order to get introduced to Nero he had the effrontery to make love
to a plain and elderly freedwoman, who had some influence at Court.
When he had once secured an introduction he became the ardent friend
of Nero, and the intimate accomplice of his worst dissipations. Being
six years older than the Emperor, and far more accomplished in vice,
he exercised a spell which rapidly undermined the grave lessons
of Burrus and Seneca. Precociously corrupt, serenely egotistical,
cynical in dishonour, and gangrened to the depth of his soul by
debauchery, Otho, though still a youth, had so completely got rid of
the moral sense as to present to the world a spectacle of unruffled
self-content. A radiant and sympathetic softness reigned smiling on
his smooth and almost boyish face.
Public-domain text, read in full here on John Shaqi.
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