Certainly it is not possible to bring forward any convincing proof of the origin of decorative colours through sexual selection, but there are many weighty arguments in favour of it, and these form a body of presumptive evidence so strong that it almost amounts to certainty. In the first place, there is the analogy with other secondary sexual characters. If the song of birds and the chirping of the cricket have been evolved through sexual selection, if the penetrating odours of male animals,--the crocodile, the musk-deer, the beaver, the carnivores, and, finally, the flower-like fragrances of the butterflies have been evolved to their present pitch in this way, why should decorative colours have arisen in some other way? Why should the eye be less sensitive to SPECIFICALLY MALE colours and other VISIBLE signs ENTICING TO THE FEMALE, than the olfactory sense to specifically male odours, or the sense of hearing to specifically male sounds? Moreover, the decorative feathers of birds are almost always spread out and displayed before the female during courtship. I have elsewhere ("The Evolution Theory", London, 1904, I. page 219.) pointed out that decorative colouring and sweet-scentedness may replace one another in Lepidoptera as well as in flowers, for just as some modestly coloured flowers (mignonette and violet) have often a strong perfume, while strikingly coloured ones are sometimes quite devoid of fragrance, so we find that the most beautiful and gaily-coloured of our native Lepidoptera, the species of Vanessa, have no scent-scales, while these are often markedly developed in grey nocturnal Lepidoptera. Both attractions may, however, be combined in butterflies, just as in flowers. Of course, we cannot explain why both means of attraction should exist in one genus, and only one of them in another, since we do not know the minutest details of the conditions of life of the genera concerned. But from the sporadic distribution of scent-scales in Lepidoptera, and from their occurrence or absence in nearly related species, we may conclude that fragrance is a relatively MODERN acquirement, more recent than brilliant colouring.