Daughters of Belgravia; vol. 3 of 3Fraser, Alexander, Mrs.
General
Daughters of Belgravia; vol. 3 of 3
Fraser, Alexander, Mrs.
Fiction
“Oh, somewhere! Anywhere! What does it matter _where_, since it will be
where I shall not see _your_ face?” he asks, and he bites his lip to
hide its quivering.
Not a word falls from her at this speech. She sits quite still and as
white as snow, her hands clench together, and her breath comes quick and
hard.
“But I _couldn’t_ go away without coming to see you once more,
Marguerite--without carrying away with me one more glimpse of your
face.”
In spite of him he falters, and with the perverse nature of his sex, is
angry with himself for rolling the stone to his own sepulchre.
“Why must you go?” she pleads, looking up wistfully. “Why can’t you
stay? If you go I shall feel that I shall never, _never_ see you again.”
“Are you sorry to lose me, Marguerite?” he asks softly. “I believe you
_are_. I believe you really care for me just _a little_.”
“A little! Oh, Heavens!” she murmurs with her face all set and drawn,
and her figure rigid, as if despair had turned her into stone. “You
_dare_ to say that!” she cries suddenly and fiercely. “You _dare_ to say
that, when you know--ay, _must_ know--that all my life, all my love--ah!
what am I saying?”
Then her passion, her bitterness, melts, and she wails out:
“Have you no mercy, Lord Delaval? Am I so low--_so low_, that you cannot
even feel pity for me? See! I am praying here for clemency, for pity at
your hands! Praying you not to break my heart!--not to ruin my life for
ever and ever!” and she flings herself down on her knees and lifts up a
face still more wondrously beautiful through the emotion that lives in
every feature.
“Marguerite! Oh! what have I said?” he cries in an agony of remorse. “I
would not give you a moment’s pain for the world. You say I deem you
‘low,’ Marguerite! Ah! if you could see into my heart, you would find
that it is because I not only love you, but _honour_ you, that I have
come to say good-bye!”
He tries to draw away the hands with which she has hidden her face--the
face that has undone him--but she droops her head, while her whole frame
trembles with uncontrolled passion.
Public-domain text, read in full here on John Shaqi.
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