English fiction -- 20th century; English wit and humor; Imaginary letters; Letters in literature
On the other hand, I cannot help adding that educated society shares
to a certain extent the prejudice of the rabble, since it shares their
pleasures. The boxes are always full when Shakespeare is on the bill,
and last night the play was well received; the disgusting jokes and
the extravagant ravings duly listened to and applauded by men, women,
lawyers, merchants, lords, and sailors. One and all they seemed to
breathe with delight the obnoxious vapours of that earth which is made
up of the remains of corpses. Compare this deliberate brutality, which
educated men have tried to justify in books, with the mildness of the
penal laws and the real executions, and explain it if you can! As for
me, I will not visit the playhouse again until the question is solved.
HERR MÜLLER
_Letter from Sir Richard C---- to his Cousin_
ROME, _January 4, 1787_.
I have been here a fortnight and have been able more or less to look
round. I wrote a long letter to Horace yesterday in which I described
at great length the journey from Venice, so I will not repeat to you
what I have already written to him.
Rome is a great deal altered since I was here last, ten years ago. It
is being spoilt, and such damage as the Goths and Vandals left undone
is now being accomplished by the modern architects. I am afraid that
by the time the next generation is grown up the beautiful Rome that
we have known and loved will have entirely disappeared, and that when
our sons and daughters make the pilgrimage which we looked upon as the
reward of our studies and the greatest privilege of our youth, they
will find a new city, elegant no doubt, and not without grandeur,
but devoid of that special charm, that rare and solemn dignity, which
clothed the city as we knew it. Of course, certain of the monuments and
works of art will always remain, and nothing can prevent Nature from
performing her careless miracles. No defacing hand will be allowed to
touch the trees that grow in the Coliseum, or to desecrate the verdure
and the luxuriant vegetation which is allowed to run riot in the baths
of Caracalla. Again, no modern artist will be allowed to lay hands on
the grassy Forum, or to intrude upon the Gardens of the Borghese Palace
which remind one of the fabled meadows and parterres of Elysium. But
it is in the body of the city that the barbarians of the present day
are allowed to commit their impious sacrilege, and it is not only a
melancholy and bitter task to trace the remains of antiquity in the
Rome of to-day, but it is even difficult to recognize in what now
exists the city as she was when we were last here together.
Public-domain text, read in full here on John Shaqi.
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