Dealings with the Dead, Volume 2 (of 2)Sargent, Lucius M. (Lucius Manlius)
History
Dealings with the Dead, Volume 2 (of 2)
Sargent, Lucius M. (Lucius Manlius)
Death; Funeral rites and ceremonies; Funeral rites and ceremonies -- United States
The form of a Chinese tomb, says Mr. Davis, in his "Description of the
Empire of China," whether large or small, is exactly that of the Greek
_omega_ [Greek: Ô]. Their mourning color is white. Their cemeteries are
upon the hills. No interments are permitted in cities. No corpse is
suffered to be carried, through any walled town, which may lie in its way
to the place of interment.
The tombs of the rich, says M. Grosier, are shaped like a _horse shoe_,
which, when well made, might pass for a very respectable [Greek: Ô].
Almost immediately after death, says the latter writer, the corpse is
arrayed in its best attire. A son will sell himself, as a slave, to
purchase a coffin, for his father. The coffin, upon which no cost is
spared, remains, frequently, for years, the most showy article of the
expectant's furniture. The body lies in state, and is visited by all
comers, for seven days. The hall of ceremony is hung with white,
interspersed with black or violet colored silk. Flowers, perfumes, and wax
lights abound. Those, who enter, salute the dead, as if he were alive, and
knock their heads, three times, upon the ground. Upon this, the sons of
the defunct creep forth, on their hands and knees, from behind a curtain,
and, having returned the salutation, retire in the same manner.
A Chinese hearse is a very elegant affair; it is covered with a
dome-shaped canopy of violet-colored silk, with tufts of white, neatly
embroidered, and surmounted with net work. In this the coffin reposes; and
the whole is borne, by sixty-four men.
Mourning continues for three years, during which the aggrieved abstain
from flesh, wine, and all ordinary amusements.
As we have had recently, among us, some half a dozen visitors, male and
female, from the Celestial Empire, I am strongly tempted to turn from the
dead, to the living.
I have repeatedly attended the morning levees of Miss PWAN YEKOO, who was
exhibited with her serving-maid, LUM AKUM, Mr. SOO CHUNE, the musical
professor, his son and daughter, MUN CHUNG and AMOON, and Mr. ALEET MONG,
the interpreter. This was certainly a very interesting group; such as
never before has been presented in this city, and will not be again, I
presume, for many years.
Public-domain text, read in full here on John Shaqi.
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