After the song was ended, he began collecting money. He started with the
Russians, who were evidently willing to spend, and then came up the
stairs. Up here he showed himself just as humble as he had been bold
during the performance. Cringing and bowing, he stole about among the
tables, and a smile of obsequious cunning exposed his strong teeth,
while the two wrinkles still stood ominously between his red eyebrows.
This singular character collecting money to live on--they eyed him with
a curiosity and a kind of repugnance, they tossed coins into his felt
hat with the tips of their fingers, and were careful not to touch him.
The elimination of the physical distance between the comedian and the
audience, no matter how great the enjoyment may have been, always causes
a certain uneasiness. He felt it, and tried to excuse it by grovelling.
He came up to Aschenbach, and along with him the smell, which no one
else seemed concerned about.
"Listen!" the recluse said in an undertone, almost mechanically. "They
are disinfecting Venice. Why?" The jester answered hoarsely, "On account
of the police. That is a precaution, sir, with such heat, and the
sirocco. The sirocco is oppressive. It is not good for the health." He
spoke as though astonished that any one could ask such things, and
demonstrated with his open hand how oppressive the sirocco was. "Then
there is no plague in Venice?" Aschenbach asked quietly, between his
teeth. The clown's muscular features fell into a grimace of comical
embarrassment. "A plague? What kind of plague? Perhaps our police are a
plague? You like to joke! A plague! Of all things! A precautionary
measure, you understand! A police regulation against the effects of the
oppressive weather." He gesticulated. "Very well," Aschenbach said
several times curtly and quietly; and he quickly dropped an unduly large
coin into the hat. Then with his eyes he signalled the man to leave. He
obeyed, smirking and bowing. But he had not reached the stairs before
two hotel employees threw themselves upon him, and with their faces
close to his began a whispered cross-examination. He shrugged his
shoulders; he gave assurances, he swore that he had kept quiet--that was
evident. He was released, and he returned to the garden; then after a
short conference with his companions, he stepped out once more for a
final song of thanks and leave-taking.
Public-domain text, read in full here on John Shaqi.
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