In 1885 he was elected to the Indiana legislature and ran on the Democratic ticket with the avowed purpose of securing needed legislation for the working class in general, and railway employes in particular. In was this year, 1885, June 9, he was married to Katherine Metzel,[5]—“Kate” he affectionately calls her. She is one of the noblest types of women. She was born in Pittsburg, but her parents were Kentuckians. She is in thorough sympathy with him on social and economic questions and aids him materially in his work. She is always ready to give him up to the Cause and in every way adds to his strength, helping to keep his vast correspondence in order and all his books and papers are instantly accessible. No children have blessed their lives. A little nephew has his home with them and Gene is a lover of children and always has time for their companionship. Gene is distinctively a “home man;” belongs to no social lodge or club, simply because he wishes to spend his evenings at home. The Sunday evenings are home meetings and three generations met Sunday evenings when father and mother were living. He said, “My father and I were boon companions,[6] and I tell you, I miss it when I cannot have my Sunday evening talks with him. When I am out traveling, every day seems alike, but when Sunday evening comes, I invariably feel something tugging at my heart strings.” He said, without hesitation, “The dominant influence in my life has been my ‘mother.’ Whatever of good there is in me I owe to her. Do you know,” he said, “I care absolutely nothing for the praise or condemnation of the world so long as my wife and my mother think I am in the right.” PERSONAL DESCRIPTION. He is tall, six feet, two inches; is slim, powerfully built; a fine head, proudly set above broad shoulders; long, full neck; face clear, finely cut, smoothly shaven; blue, deep, searching, inquiring, frank, open eyes; a smile, childlike and sweet, usually upon his face; sometimes sad, as sad as Lincoln’s. He is plain, dresses plainly, neatly always; is rational, logical, epigrammatic; quick words fit his thoughts; incisive and unambiguous, they seem to flow to him from a vast, well-filled vocabulary. He quotes from the great writers and poets, is intimate with them all; speaks fluently, never hesitates, draws faultless word pictures, makes epigrams, plain, pointed and easily remembered; gestures almost only with the right hand, steps quietly, leans forward to his audience, poised and when speaking his eyes seem like the eyes of a painting—to look at each one everywhere in his audience.