Definitions: Essays in Contemporary Criticism [First Series]Canby, Henry Seidel
History
Definitions: Essays in Contemporary Criticism [First Series]
Canby, Henry Seidel
American literature -- 20th century -- History and criticism; Criticism; English fiction -- History and criticism
Now, I am far from proposing to analyze the American sub-
consciousness. No man can define it. But of this much I am
certain. The American habit of going "back to nature" means that
in our sub-consciousness nature is peculiarly active. We react to
nature as does no other race. We are the descendants of pioneers--
all of us. And if we have not inherited a memory of pioneering
experiences, at least we possess inherited tendencies and desires.
The impulse that drove Boone westward may nowadays do no more than
send some young Boone canoeing on Temagami, or push him up Marcy
or Shasta to inexplicable happiness on the top. But the drive is
there. And furthermore, nature is still strange in America. Even
now the wilderness is far from no American city. Birds, plants,
trees, even animals have not, as in Europe, been absorbed into the
common knowledge of the race. There are discoveries everywhere for
those who can make them. Nature, indeed, is vivid in a surprising
number of American brain cells, marking them with a deep and endurable
impress. And our flood of nature books has served to
increase her power.
It was never so with the European traditions that we brought to
America with us. That is why no one reads early American books.
They are pallid, ill-nourished, because their traditions are
pallid. They drew upon the least active portion of the American
sub-consciousness, and reflect memories not of experience,
contact, live thought, but of books. Even Washington Irving, our
first great author, is not free from this indictment. If,
responding to some obscure drift of his race towards humor and the
short story, he had not ripened his Augustan inheritance upon an
American hillside, he, too, would by now seem juiceless, withered,
like a thousand cuttings from English stock planted in forgotten
pages of his period. It was not until the end of our colonial age
and the rise of democracy towards Jackson's day, that the rupture
with our English background became sufficiently complete to make
us fortify pale memories of home by a search for fresher, more
vigorous tradition.
Public-domain text, read in full here on John Shaqi.
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