Definitions: Essays in Contemporary Criticism [First Series]Canby, Henry Seidel
History
Definitions: Essays in Contemporary Criticism [First Series]
Canby, Henry Seidel
American literature -- 20th century -- History and criticism; Criticism; English fiction -- History and criticism
And ever since we began to incur the condescension of foreigners
by trying to be American, we have been conscious of this weak-
rootedness in our literature and trying to remedy it. This is why
our flood of nature books for a century is so significant. They
may seem peculiar instruments for probing tradition--particularly
the sentimental ones. The critic has not yet admitted some of the
heartiest among them--Audubon's sketches of pioneer life, for
example--into literature at all. And yet, unless I am mightily
mistaken, they are signs of convalescence as clearly as they are
symptoms of our disease. These United States, of course, are
infinitely more important than the plot of mother earth upon which
they have been erected. The intellectual background that we have
inherited from Europe is more significant than the moving spirit
of woods and soil and waters here. The graft, in truth, is less
valuable than the tree upon which it is grafted. Yet it determines
the fruit. So with the books of our nature lovers. They represent
a passionate attempt to acclimatize the breed. Thoreau has been
one of our most original writers. He and his multitudinous
followers, wise and foolish, have helped establish us in our new
soil.
I may seem to exaggerate the services of a group of writers who,
after all, can show but one great name, Thoreau's. I do not think
so, for if the heart of the nature lover is sometimes more active
than his head, the earth intimacies he gives us are vital to
literature in a very practical sense. Thanks to the modern science
of geography, we are beginning to understand the profound and
powerful influence of physical environment upon men. The
geographer can tell you why Charleston was aristocratic, why New
York is hurried and nervous, why Chicago is self-confident. He can
guess at least why in old communities, like Hardy's Wessex or the
North of France, the inhabitants of villages not ten miles apart
will differ in temperament and often in temper, hill town varying
from lowland village beneath it sometimes more than Kansas City
from Minneapolis. He knows that the old elemental forces--wind,
water, fire, and earth--still mold men's thoughts and lives a
hundred times more than they guess, even when pavements, electric
lights, tight roofs, and artificial heat seem to make nature only
a name. He knows that the sights and sounds and smells about us,
clouds, songs, and wind murmurings, rain-washed earth, and fruit
trees blossoming, enter into our sub-consciousness with a power
but seldom appraised. Prison life, factory service long continued,
a clerk's stool, a housewife's day-long duties--these things stunt
and transform the human animal as nothing else, because of all
experiences they most restrict, most impoverish the natural
environment. And it is the especial function of nature books to
make vivid and warm and sympathetic our background of nature. They
make conscious our sub-conscious dependence upon earth that bore
us.
Public-domain text, read in full here on John Shaqi.
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