Comparative literature; Degeneration; Europe -- Intellectual life
as equal in validity to all his remaining thoughts and opinions,
because it originated in the same way. And even if he wishes to make
clear to himself what is really the content of his judgment, and of
what particular presentations it is composed, he observes that these
presentations are, as a matter of fact, nothing but unrecognisable
adumbrations of presentations, to which he vainly seeks to give a
name. Now, this state of mind, in which a man is straining to see,
thinks he sees, but does not see--in which a man is forced to construct
thoughts out of presentations which befool and mock consciousness
like will-o’-the-wisps or marsh vapours--in which a man fancies that
he perceives inexplicable relations between distinct phenomena and
ambiguous formless shadows--this is the condition of mind that is
called Mysticism.
From the shadowy thinking of the mystic, springs his washed-out style
of expression. Every word, even the most abstract, connotes a concrete
presentation or a concept, which, inasmuch as it is formed out of the
common attributes of different concrete presentations, betrays its
concrete origin. Language has no word for that which one believes he
sees as through a mist, without recognisable form. The mystic, however,
is conscious of ghostly presentations of this sort without shape or
other qualities, and in order to express them he must either use
recognised words, to which he gives a meaning wholly different from
that which is generally current, or else, feeling the inadequacy of the
fund of language created by those of sound mind, he forges for himself
special words which, to a stranger, are generally incomprehensible,
and the cloudy, chaotic sense of which is intelligible only to
himself; or, finally, he embodies the several meanings which he gives
to his shapeless representations in as many words, and then succeeds
in achieving those bewildering juxtapositions of what is mutually
exclusive, those expressions which can in no way be rationally made
to harmonize, but which are so typical of the mystic. He speaks, as
did the German mystics of the seventeenth and eighteenth centuries,
of the ‘cold fire’ of hell, and of the ‘dark light’ of Satan; or,
he says, like the degenerate in the twenty-eighth pathological case
of Legrain,[79] ‘that God appeared to him in the form of luminous
shadows;’ or he remarks, as did another of Legrain’s patients:[80] ‘You
have given me an immutable evening’ (_soirée immutable_).[81]
Public-domain text, read in full here on John Shaqi.
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