Guardian and ward -- Fiction; Women -- Suffrage -- Great Britain -- Fiction; Young women -- Fiction
Where was the quiet lady in grey? Winnington was thinking too much
about his ward to keep a constant eye upon her. But Dr. France observed
her closely, and he presently saw what puzzled him anew. After a
conversation, exceedingly bland, though rather monosyllabic, on Miss
Marvell's part, with the puzzled and inarticulate Rector, Delia's
chaperon had gently and imperceptibly moved away from the tea-table.
That she had been very coldly received by the company in general was no
doubt evident to her. She was now sitting beside that strange girl
Marion Andrews--to whom, as the Doctor had seen, she had been
introduced--apparently--by the Rector. And as Dr. France caught sight
of her, she and Marion Andrews rose and walked to a window opening on
the garden, apparently to look at the blaze of autumn flowers outside.
But it was the demeanour of the girl which again drew the doctor's
attention. Marion Andrews, who never talked, was talking fast and
earnestly to this complete stranger, her normally sallow face one glow.
It was borne in afresh upon Dr. France that the two were already
acquainted; and he continued to watch them as closely as politeness
allowed.
* * * * *
"Will you come and look at the house?" said Winnington to his ward.
"Not that we have anything to shew--except a few portraits and old
engravings that might interest you. But it's rather a dear old place,
and we're very fond of it."
Delia went with him in silence. He opened the oval panelled
dining-room, and shewed her the portraits of his father, the venerable
head of an Oxford college, in the scarlet robes of a D.D., and others
representing his forebears on both sides--quiet folk, painted by decent
but not important painters. Delia looked at them and hardly spoke. Then
they went into Mrs. Matheson's room, which was bright with pretty
chintzes, books and water-colours, and had a bow-window looking on the
garden. Still Delia said nothing, beyond an absent Yes or No, or a
perfunctory word of praise. Winnington became very soon conscious of
some strong tension in her, which was threatening to break down; a
tension evidently of displeasure and resentment. He guessed what the
subject of it might be, but as he was most unwilling to discuss it with
her, if his guess were correct, he tried to soothe and evade her by
such pleasant talk as the different rooms suggested. The house through
which he led her was the home, evidently, of a man full of enthusiasms
and affections, caring intensely for many things, for his old school,
of which there were many drawings and photographs in the hall and
passages, for the two great games in which he himself excelled; for
poetry and literature--the house overflowed everywhere with books; for
his County Council work, and all the projects connected with it; for
his family and his intimate friends.
Public-domain text, read in full here on John Shaqi.
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