It was not the shortest way from the house of Meleager to the “Albergo del Sole,” rather the exactly opposite direction, but Zoë-Gradiva must have also decided that time was not yet importuning so violently to lunch, for after a quite brief stop at the Hercules Gate, she walked farther along the lava-blocks of the Street of Tombs, every time raising the sole of her lingering foot almost perpendicularly. * * * * * The Villa of Diomede—named thus, for people of the present, after a monument which a certain freed-man, Marcus Arrius Diomedes, formerly promoted to the directorship of this city-section, had erected near by for his lady, Arria, as well as for himself and his relatives—was a very extensive building and concealed within itself a part of the history of the destruction of Pompeii not invented by imagination. A confusion of extensive ruins formed the upper part; below lay an unusually large sunken garden surrounded by a well-preserved portico of pillars with scanty remnants of a fountain and a small temple in the middle; and farther along two stairways led down to a circular cellar-vault, lighted only dimly by gloomy twilight. The ashes of Vesuvius had penetrated into this also, and the skeletons of eighteen women and children had been found here; seeking protection they had fled, with some hastily gathered provisions, into the half-subterranean space, and the deceptive refuge had become the tomb of all. In another place the supposed, nameless master of the house lay, also stretched out choked on the ground; he had wished to escape through the locked garden-door, for he held the key to it in his fingers. Beside him cowered another skeleton, probably that of a servant, who was carrying a considerable number of gold and silver coins. The bodies of the unfortunates had been preserved by the hardened ashes; in the museum at Naples there is under glass, the exact impression of the neck, shoulders and beautiful bosom of a young girl clad in a fine, gauzy garment.