Bildungsromans; Germany -- Social conditions -- 1918-1933 -- Fiction; Young men -- Germany -- Fiction
Just at that time I began again to dream a great deal, as I had
constantly done when a child. It seemed to me that for years I had had
no more dreams. Now they came again, quite a new kind of pictures,
and often and often the painted image appeared therein, living and
speaking, friendly or inimical, with the features sometimes twisted
into a grimace, sometimes infinitely beautiful, harmonious and noble.
And one morning, as I awoke out of such a dream, I suddenly realized
who was the original of the picture, I recognized it. It gazed at me
in such a fabulously well-known way, and seemed to be calling my name.
It seemed to know me, like a mother, seemed to love me as if since the
beginning of time. With beating heart I stared at the paper, at the
thick brown hair, at the half-womanly mouth, the strong forehead with
the wonderful brightness (it had dried that way of itself) and more and
more I felt in me the knowledge, the certainty of having somewhere met
the original of the picture.
I sprang out of bed, placed myself in front of the face, and gazed at
it from the closest proximity, straight into the wide open, greenish,
staring eyes, the right eye somewhat higher than the other. And all at
once this right eye twitched perceptibly, but still decidedly, and from
this twitching I recognized the picture....
How was it that I had found it out so late? It was Demian’s face. Later
I often and often compared the picture with Demian’s real features, as
they had remained in my memory. They were not quite the same, although
there was a resemblance. But it was Demian, nevertheless.
Once, on an evening in early summer the red sun shone obliquely through
my window, which looked towards the west. In the room the dusk was
gathering. I suddenly had the idea of pinning the picture of Beatrice,
or of Demian, to the cross-bar of the window and of gazing at it,
while the evening sun was shining through. The whole outline of the
face disappeared, but the reddish ringed eyes, the brightness of the
forehead and the strong red mouth glowed deeply and wildly from the
surface of the paper. I sat opposite it for a long time, even after the
light had died away. And by degrees the feeling came to me that this
was not Beatrice or Demian but--myself. The picture did not resemble
me--it was not meant to, I felt--but there was that in it which seemed
to be made up of my life, something of my inner self, of my fate or of
my dæmon. My friend would look like that, if I ever found another. My
mistress would look like that, if ever I had one. My life and death
would be like that. It had the ring and rhythm of my fate.
Public-domain text, read in full here on John Shaqi.
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