Democracy in America — Volume 2Tocqueville, Alexis de
Philosophy
Democracy in America — Volume 2
Tocqueville, Alexis de
Democracy -- United States; United States -- Politics and government; United States -- Social conditions
Various different significations have been given to the word "poetry."
It would weary my readers if I were to lead them into a discussion as to
which of these definitions ought to be selected: I prefer telling them
at once that which I have chosen. In my opinion, poetry is the search
and the delineation of the ideal. The poet is he who, by suppressing a
part of what exists, by adding some imaginary touches to the picture,
and by combining certain real circumstances, but which do not in fact
concurrently happen, completes and extends the work of nature. Thus the
object of poetry is not to represent what is true, but to adorn it,
and to present to the mind some loftier imagery. Verse, regarded as the
ideal beauty of language, may be eminently poetical; but verse does not,
of itself, constitute poetry.
I now proceed to inquire whether, amongst the actions, the sentiments,
and the opinions of democratic nations, there are any which lead to a
conception of ideal beauty, and which may for this reason be
considered as natural sources of poetry. It must in the first place, be
acknowledged that the taste for ideal beauty, and the pleasure derived
from the expression of it, are never so intense or so diffused amongst a
democratic as amongst an aristocratic people. In aristocratic nations it
sometimes happens that the body goes on to act as it were spontaneously,
whilst the higher faculties are bound and burdened by repose. Amongst
these nations the people will very often display poetic tastes, and
sometimes allow their fancy to range beyond and above what surrounds
them. But in democracies the love of physical gratification, the notion
of bettering one's condition, the excitement of competition, the charm
of anticipated success, are so many spurs to urge men onwards in the
active professions they have embraced, without allowing them to deviate
for an instant from the track. The main stress of the faculties is to
this point. The imagination is not extinct; but its chief function is to
devise what may be useful, and to represent what is real.
Public-domain text, read in full here on John Shaqi.
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