African Americans -- Fiction; Devil -- Fiction; Short stories, American
Swiftly the work went on, and higher and higher rose the mysterious
voice, urging to quicker action by prayer and execration, until the
negroes, nerved to the limits of human endurance by superstitious fear,
pushed forward until they felt their sinews crack.
“One mo’ time, heave ahead, boys!” continued the voice; then the work
was discontinued, for the white flame leaped up like a living torch,
lighting even the river with its weird splendor.
“Wuk, men, wuk, fur de soul er Cindy’s baby!” cried the voice, now
rising in a wail. Then a horror seized upon the negroes, and the
men rushed forward to the rescue, for on the roof of the burning
storehouse, now revealed through the sickening glare, stood the Other
Maumer, waving a bunch of river reeds.
“Look! look!” she shouted, reaching for the scurrying sparks; “de
butterflies done come back—dey done come back!” Then folding her arms
and smiling, as though she held a child, “De soul er Cindy’s baby!”
The picture of the past had been photographed for an instant upon the
disordered brain.
It was useless to try to save her; again and again the willing hands
were driven back by the heat. Higher and higher crept the flames
around her, but, oblivious of life or death, the bent figure swayed and
hugged in ecstasy the dream of the recovered soul.
Then a gust swept through the rifled storehouse, the beams quivered,
and the cumbersome roof fell in, smothering the flame, and leaving the
levee in utter darkness.
It was from Henry’s throat, deep and tremulous, that the death-song
rose, joined in by the treble of the women. The wondering Cindy knelt
in the sand and hid her face. Then, as the truth broke in upon her
consciousness, Cely snatched a sleeping child from the arms of the
kneeling Cindy, and a wild note of joy rose high above the dirge.
STOLEN FIRE
“Dey done got hit all wrong!”
Mammy looked across the room to where the children were quietly
playing, then knitted her brows and tenderly caressed the bosom of the
Colonel’s shirt with her iron.
“Brer Bailey hain’t got no call ter ’low dat niggers is ’v’luted fum
Afiker monkeys, fur dey ’v’lutes back inter monkeys, sho’ mun!”
“What did you say, Mammy?” asked Fred, who had been playing in the
fire, holding his stick aloft, and eagerly scanning the shining face
for a possible story.
“Tell me and Fred a tale,” lisped Margie, outlining her toe upon the
spotless kitchen floor with the end of her charred stick.
“If yo’ chillens don’ quit playin’ in de fire, I lay I gwine mek Miss
Margret whup yo’ bofe when she come fum up-town—see if I don’t!” and
Mammy rolled her eyes ferociously behind her brass specs, at which the
children laughed and teased the more.
“What about monkeys, Mammy? Go on!” said Fred.
“Back into monkeys!” echoed Margie. “Go on!”
But Mammy deliberately tested an iron, as the children waited
anxiously, then she lifted the expectant Margie upon one end of her
board.
Public-domain text, read in full here on John Shaqi.
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