African Americans -- Fiction; Devil -- Fiction; Short stories, American
“Well well—arter while,” said Mammy. “Wait twel de chillen git ter bed,
fur de tale er what ’Liza do, hain’t fitten fur de years er chillen,
es powerful knowin’ es dey is,” and Mammy sighed again, then worked in
silence, wrapped in deepest contemplation.
So the quilters told their own tales, merry and bright at first, but as
the evening wore away they were ghostly and more mysterious, until the
last row of shells in the frame were being rolled—then the quilt was
taken out, and cider and gingerbread was set upon the table.
Fresh wood was piled upon the smouldering back log, as the quilters
drew up to the fire with laden hands, and Mammy, waking from
her reverie, laid aside her cards and smoothed her apron down,
preparatory. There was always a great deal of ceremony about Mammy’s
preparations, for her art was not hackneyed by frequent repetition, and
this was the story she told to the quilters:
Bithie was the only child of Marse Dick’s ’Riah, and Bithie’s ’Liza,
a seventh daughter, was born with a veil, besides coming at a time
when Bithie had long ceased to look for any more children; so when
they brought her to Unc’ Caspar, who was a hoodoo and was given to
prophesying, Unc’ Caspar took her in his arms and looked long and
earnestly into her face.
Now most babies, even from the day of their birth, would have been awed
by the eye of Unc’ Caspar, for children can see the truth easier than
grown people; but as young as ’Liza was, she caught his long white
beard in her fists and crowed. Then Unc’ Caspar laid her down and shook
his head ominously at such early disrespect. Some were bold enough to
assert that he put a curse upon ’Liza, then and there; but certain it
is that Bithie took a chill while he spoke, for, instead of giving the
baby his blessing, Unc’ Caspar was fretting over the tweaking of his
beard.
“Dis chile,” he said, pointing with his long finger at the new moon
shining through the clearing, “am born fur powerful good er powerful
ebil—but I seed _dis_ fru de trees, an’ I’se feared uv her—I’se feared!”
Bithie was Ole Miss’s seamstress, and the seventh daughter was made
much of at the “Big House,” but Bithie was troubled about Unc’ Caspar’s
curse upon her child, and at night she lay awake thinking about
it—though ’Liza throve and grew strong, in spite of Bithie’s misgivings
and Unc’ Caspar’s curse, and was as likely a little pickaninny as Ole
Marse ever owned, and as Ole Miss told Bithie, when she had sobbed out
her tale of woe.
“But she got the beatenest temper, Ole Miss,” moaned Bithie, “an’ I
cain’t git de upper han’ uv her, whup her hard’s ebber I kin, twel I’se
plum wore out. Nebber seed sech er muel uv er nigger, an’, little es
she am, she see t’ings dat I hain’t see, in de light an’ in de dark,
an’ she hollers out an’ talk ter ’em, an’ hit mek my blood fa’r rin
cole—hit do, Ole Miss!”
“Hush! that’s all stuff and nonsense, Bithie!” said Ole Miss; “but
never mind the temper, it will all come right by-and-by.”
Public-domain text, read in full here on John Shaqi.
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