World War, 1914-1918 -- Personal narratives, American
The large museum was in a great old monastery, built of hand-made bricks
by the monks of St. Augustine in the ninth century. It is still
beautifully complete, with cloistered court and brick-vaulted chapel.
Past peoples live in monuments they leave. Monuments express the life
and art and religion of a people. To build such monuments is the work of
an architect. This is the greatest thing that ever happened to me. It
shows me the purpose and benefit of education; for the rest of my life
what I read will be absorbed with so much more interest and insight and
profit. Maybe the course of technology is narrow and technical, but I
find that never did I want to study and learn by reading as at present.
It has waked me to the fact that I have tastes and the right to follow
them as I please. And I can follow them in my many spare hours without
detracting from my service in the Cause.
Your letter containing clippings and cartoons was very entertaining. I
believe cartoons serve the purpose of keeping alive the trend of public
thought without being filled up with unreliable censored facts and
rumors.
Love to you all.
Your son,
DINSMORE.
_November 29, 1917._
DEAR FAMILY:
Today was Thanksgiving, and we all had the very pleasant surprise of a
day of _repos_ given us by the captain that we might be present at a
banquet given us by the American colony at Pau. It was held at one of
the good hotels and had all the proper characteristics of a regular
Thanksgiving dinner. There were forty-two of us there. After the meal we
had some songs from local talent, which were of no mean variety, and
then we went to a moving picture show which was rather a failure except
as a place to digest an excellent and more than hearty meal.
My, but the machines we have now are a joy to run. They climb, they
turn, they dive, and recover as you think. You have but to wish in the
third dimension and you are there. It is beyond description. You sit
comfortably behind a little windshield without glasses and watch the
country far below. You forget the motor and space, and speed until
suddenly something of interest causes you to lean out and you are struck
in the face by a gust of wind which bends your head back and pumps your
breath back into your lungs. Then you know what speed means. Soon your
motor begins to miss, and you become worried and look for a place to
land. You find the fields not more than one hundred feet square. You
glance at the altimeter and find that you have unconsciously climbed to
an altitude where the air is light, and your motor pants, so you make a
readjustment, glance back at the school fifteen miles behind, which you
left eight minutes ago, and go on your way.
Public-domain text, read in full here on John Shaqi.
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