Discourses on Satire and on Epic PoetryDryden, John
History
Discourses on Satire and on Epic Poetry
Dryden, John
Epic poetry; Satire; Satire -- History and criticism
When Horace writ his satires, the monarchy of his Cæsar was in its
newness, and the government but just made easy to the conquered people.
They could not possibly have forgotten the usurpation of that prince upon
their freedom, nor the violent methods which he had used in the
compassing of that vast design; they yet remembered his proscriptions,
and the slaughter of so many noble Romans their defenders—amongst the
rest, that horrible action of his when he forced Livia from the arms of
her husband (who was constrained to see her married, as Dion relates the
story), and, big with child as she was, conveyed to the bed of his
insulting rival. The same Dion Cassius gives us another instance of the
crime before mentioned—that Cornelius Sisenna, being reproached in full
senate with the licentious conduct of his wife, returned this answer:
that he had married her by the counsel of Augustus (intimating, says my
author, that Augustus had obliged him to that marriage, that he might
under that covert have the more free access to her). His adulteries were
still before their eyes, but they must be patient where they had not
power. In other things that emperor was moderate enough; propriety was
generally secured, and the people entertained with public shows and
donatives, to make them more easily digest their lost liberty. But
Augustus, who was conscious to himself of so many crimes which he had
committed, thought in the first place to provide for his own reputation
by making an edict against lampoons and satires, and the authors of those
defamatory writings, which my author Tacitus, from the law-term, calls
_famosos libellos_.
Public-domain text, read in full here on John Shaqi.
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